Tag Archives: Jules Dassin

Jules Dassin – Up Tight! (1968)

Synopsis:
“Uptight” is an updated remake of John Ford’s 1935 film, “The Informer”. Dublin becomes the Cleveland ghetto and the Irish Republicans are replaced by black revolutionary fighters. Days after the assassination of Martin Luther King, Tank Williams (Julian Mayfield) is an unemployed and itinerant steelworker who turns over his militant friend, Johnny Wells (Max Julien) to the police for $1,000 reward, resulting in an underground all-points bulletin to exact vengeance on the squealer. Legendary director, Jules Dassin’s unrelenting directional pace is complemented by the driving score of Booker T. Jones. The stellar cast includes Raymond St. Jacques, Ruby Dee, Roscoe Lee Browne, and Frank Silvera. Read More »

Jules Dassin – Brute Force (1947)

William K Everson writes:
Brute Force was touted as being by far the toughest and most violent prison film Hollywood had ever made. Many European censors felt the same way and scenes were shortened for overseas release. Actually, the violence is essentially surface violence, and earlier prison films had been rougher in a psychological sense. Nevertheless, with all of those noir icons in the cast and behind the camera (especially Miklos Rosza’s music) the film made a welcome break in the increasingly formularized cycle of big-city crime noir films. Read More »

Jules Dassin – Kravgi gynaikon aka A Dream of Passion (1978)

Quote:
The husband and wife team of director Jules Dassin and actress Melina Mercouri, who first enjoyed international success with the comedy Never on Sunday, collaborated for the last time on this powerful drama. Maya (Melina Mercouri) is a famous actress who is returning to the stage for a production of the classic Greek tragedy Medea, in which she will play the title character, a mother who murders her children. Kostas (Andreas Voutsinas), Maya’s former lover, will be directing Maya in the production, and when he discovers that Brenda (Ellen Burstyn), an American woman, is housed in a nearby Greek prison for killing her offspring, he suggests that Maya should meet Brenda as a means of better understanding her character. Read More »

Jules Dassin – Reunion in France (1942)

IMDB:
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country. Read More »

Jules Dassin – La Legge aka The Law (1959) (DVD)

Quote:
Marietta, servant of aristocrat Don Cesare, is the bellezza of an Italian town where men gather nightly in the tavern for the ‘game of the Law,’ selecting one by lot to boss and humiliate the others. Illicit passions abound: the judge’s wife pursues Francesco, son of crime boss Matteo, who is after Marietta (so is her brother-in-law); Marietta wants engineer Enrico for a husband, but he claims he’s too poor to marry. So she decides to steal herself a dowry! All this may lead to an explosion…and some changes in who dictates ‘the law.’ (IMDB) Read More »

Jules Dassin – Night and the City [+Extras] (1950)

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Synopsis
Two-bit hustler Harry Fabian (Richard Widmark) aches for a life of ease and plenty. Trailed by an inglorious history of go-nowhere schemes, he stumbles upon a chance of a lifetime in the form of legendary wrestler Gregorius the Great (Stanislaus Zbyszko). But there is no easy money in this underworld of shifting alliances, bottomless graft, and pummeled flesh-and soon Fabian learns the horrible price of his ambition. Luminously shot in the streets of London, Jules Dassin’s Night and the City is film noir of the first order and one of the director’s crowning achievements. Read More »

Jules Dassin – Topkapi (1964)

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David Cornelius wrote:
“Nine years after helping define the heist movie with the 1955 masterpiece “Rififi,” director Jules Dassin took another go at the genre, this time with a comedy. “Topkapi” is a lighter, breezier affair than Dassin’s earlier picture, but it’s in no way weaker or less memorable. In fact, it’s this movie that served as the inspiration for the classic TV series “Mission: Impossible,” and yes, it’s this film’s most memorable sequence that was, um, “borrowed” for the most memorable sequence of the 1996 “Impossible” movie. Read More »