Tag Archives: Katharine Hepburn

George Cukor – Holiday (1938)

Synopsis:
Free-thinking Johnny Case finds himself betrothed to a millionaire’s daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle down to big business, he rebels, wishing instead to spend the early years of his life on “holiday.” With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and the better mate. Read More »

Michael Cacoyannis – The Trojan Women (1971)

For this ambitious screen version of one the most powerful works of classic Greek theater, director Michael Cacoyannnis (ZORBA THE GREEK, THE CHERRY ORCHARD) unleashes the talents of four of the screen’s most exciting actresses(NY DAILY NEWS). Four time Oscar winner Katharine Hepburn (THE LION IN WINTER, A DELICATE BALANCE), Oscar winner Vanessa Redgrave (JULIA), Oscar nominee Genevieve Bujold (ANNE OF THE THOUSAND DAYS) and Greek screen legend Irene Papas (ANTIGONE, Z) seamlessly mesh into an unprecedented ensemble cast that one could never hope to see on stage (Pauline Kael, NEW YORKER). Read More »

Howard Hawks – Bringing Up Baby (1938)

Synopsis wrote:
David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

Rob Nixon, Kerryn Sherrod & Jeff Stafford wrote:

Why BRINGING UP BABY is Essential

In the eyes of many critics, Bringing Up Baby is the quintessentialscrewball comedy, incorporating all the standard elements of the genre such as themadcap heiress, a hapless leading man virtually victimized by herattentions and a group of stuffed shirts whose pomposity is deflated by thefarcical goings on. It also stands as a prime example of the liberatinginfluence of eccentricity (and the female) in the screwballcomedy. Read More »

Stanley Kramer – Guess Who’s Coming to Dinner (1967)


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Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

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