Tag Archives: King Vidor

King Vidor & George W. Hill – The Big Parade [+Extras] (1925)

Quote:
A Superlative War Picture.
An eloquent pictorial epic of the World War was presented last night at the Astor Theatre before a sophisticated gathering that was intermittently stirred to laughter and tears. This powerful photodrama is entitled “The Big Parade,” having been converted to the screen from a story by Laurence Stallings, co-author of “What Price Glory,” and directed by King Vidor. It is a subject so compelling and realistic that one feels impelled to approach a review of it with all the respect it deserves, for as a motion picture it is something beyond the fondest dreams of most people. Read More »

King Vidor – An American Romance (1944)

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Plot:
Brian Donlevy goes from rags to riches in King Vidor’s ambitious Technicolor ode to hard work, family and the American Dream. Arriving penniless in the United States, Czech immigrant Steve Dangos (Donlevy) soon realizes America truly is the land of opportunity. Starting out in the iron mines of Minnesota, Dangos heads to the steel mills of Chicago, a decision that will earn him wealth and power beyond his wildest dreams – and put him at odds with his workers when they try to unionize. Produced over a two-year period at the then-enormous sum of $3 million, An American Romance is a bold and gripping saga in the Vidor tradition. “No other American director ever matched Vidor’s sense of personal struggle, or the muscular poetry he found to express it” (Tony Rayns, Time Out Film Guide). From Warner Brothers! Read More »

King Vidor – Man Without a Star (1955)

Synopsis:
Dempsey Rae, a cowboy with no clear aim in life, winds up working on a spread with a hard lady owner just arrived from the East. She needs a tough new top hand and uses all her means of persuasion to get Rae to take the job. But he doesn’t like the way the other settlers are getting treated and starts to side with them, despite their introduction of the barbed wire he loathes. Read More »

King Vidor – The Fountainhead (1949)

Quote:
The hero of Ayn Rand’s The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the “radical” Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. Read More »