Tag Archives: Kira Muratova

Kira Muratova – Astenicheskiy sindrom AKA Asthenic Syndrome (1990)

Quote:
In the old days it was called hypochrondria, or black melancholia. Now, apparently, it’s termed the Asthenic Syndrome. Whatever it is, Nikolai, a teacher has got it, and it’s not much fun. Read More »

Kira Muratova – Peremena uchasti AKA Change of Fortune (1987)

Quote:
A lawyer is preparing to defend a rich, respected man’s wife, who killed a friend of the family who was attempting to sexually assault her. The scenario changes abruptly for all involved when the lawyer discovers a love letter from the woman to the murdered man. Read More »

Kira Muratova – Nastroyshchik AKA The Tuner (2004)

Quote:
At the heart of Kira Muratova’s newest film, The Tuner (Nastroishchik, 2004), is her characteristic and enduring love of predation—predation for its own sake. Of course, any talk of “the heart of Muratova’s work” is a judgment of anatomy rather than sentiment, as any admirer would attest. With The Tuner, she has produced an extraordinary new film that offers a complex assessment of the human subject, civilization, and the creative act. Read More »

Kira Muratova – Korotkie vstrechi AKA Brief Encounters (1967)

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kinoglaz.fr:
Nadya (Nina Ruslanova) is a young woman who loves the geologist Maxim (Vladimir Vysotsky). She takes a job as a housemaid before discovering Maxim is romantically involved with town official Valentina Ivanovna (Kira Muratova). The heartbroken Nadya goes away before Maxim can return, leaving him and Valentina to pursue their romance.

imdb:
Nadja, a country girl moves to the city and becomes Valya’s maid. Valya, a member of the District Soviet, does not know that Nadja fell in love with Valya’s currently absent husband, a geologist, when he was at her village on a recent expedition. Written by Erik Gregersen {[email protected]} Read More »

Kira Muratova – Lyst do Ameryky AKA Letter To America (1999)

Description: The short is made in a typical Muratova style that merges surrealism and reality into a mesmerizing act full of understatement and metaphor.

Some trivia: this is nominally Muratova’s first short. However, she herself considers it her fourth – she prefers to think of her Three Stories as three short films instead of a single feature.

The film was made with no budget whatsoever – all Muratova was given were the camera and the film stock. None of the actors were paid. The rumor has it that the film was shot in Muratova’s own apartment. Read More »