Tag Archives: Lianella Carell

Vittorio De Sica – L’oro di Napoli AKA The Gold of Naples (1954)

Synopsis
A tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing her husband’s ring ; the funeral of a dead child ; the gambler Count Prospero B. defeated by a kid ; the unexpected and unusual wedding of Teresa, a prostitute ; the “professor” Ersilio Micci, a “wisdom seller”. Read More »

Vittorio De Sica – Ladri di biciclette AKA Bicycle Thieves (1948)

Quote:

A crowd forms in front of a government employment agency, as it does every day, waiting – often in vain – for job announcements. Antonio Ricci (Lamberto Maggiorani), one of the unemployed laborers who participates in this daily ritual, is selected to hang posters in the city, a job requiring a bicycle, which he has long sold in order to sustain his family’s meager existence for a few more days. He and his wife, Maria (Lianella Carell), return to the pawn shop with a few remaining possessions, their matrimonial linen, in order to redeem the bicycle. During his first day at his new work, his bicycle is stolen. He combs the city with his young son, Bruno (Enzo Staiola), in search of the elusive bicycle. Read More »

Vittorio Cottafavi – Una donna ha ucciso (1952)


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In 1951, two years after the “scandal” of the Fiamma che non si spegne, Cottafavi got the opportunity to work on a film with a small production company, Novissima Film. With little means, a number of technical and financial problems and working Sundays with the pieces of film given to him bit by bit, Cottafavi shot Una donna ha ucciso, a minor film that marked his comeback to directing. Followed by Traviata ’53 (1953), In amore si pecca in due (1953), Nel gorgo del peccato (1954) and Una donna libera (1954), Una donna ha ucciso was also the first of a pentalogy of melodramatic movies about the condition of women in contemporary society and the moral and social problems related to it. The film is based on a real crime story that took place immediately after the war. An Italian woman killed her English wartime lover for the sake of love. The story was reformulated by Cottafavi with the help of Siro Angeli and Giorgio Capitani. It was the producer who had the idea to make it a film; in fact, he had just gotten the rights to the autobiography of this woman who had been recently pardoned and released from jail. They planned to exploit the melodramatic and passionate elements of the story at a time when, for example, Raffaello Matarazzo’s films were enjoying enormous success. Gianni Rondolino Read More »