Tag Archives: Luciano Emmer

Luciano Emmer – La ragazza in vetrina AKA La Fille dans la vitrine [+Extras] (1961)

PLOT SYNOPSIS:
A romantic drama partially set in Amsterdam, this standard tale starts out in a mining area in Holland where conditions are about as rough as they get. Two of the miners, Italians Federico (Lino Ventura) and Vincenzo (Bernard Fresson) take off together for the city’s red-light district, where the women pose in windows for prospective customers. There the duo meet Else (Marina Vlady) and Carrel (Magali Noel) who are willing to leave their windows to spend a weekend at a resort with the two men. Soon Else has fallen in love with Vincenzo and the future of the two hookers, as well as the miners, seems to look brighter.
(Allmovie) Read More »

Luciano Emmer – Parole dipinte. Il cinema sull’arte di Luciano Emmer [+Extras] (1946-1966; 2000-2009)

The art film by Luciano Emmer: the camera explores the figurative worlds of Giotto, Bosch, Carpaccio, Leonardo, Michelangelo, Picasso. First edition on DVD of a valuable asset for art history and Italian cinema.
This two-DVD boxset presents, collected for the first time, a wide selection of art films made by Luciano Emmer (1918-2009). Emmer, screenwriter and director, is the author of films that told with delicacy and humor about Italy in the Fifties (Domenica d’agosto, Terza liceo) and one of the inventors of TV commercials; especially personal and meaningful is his work on art documentaries, awarded all over the world. Read More »

Luciano Emmer – Camilla (1954)

Camilla, a middle-aged Venetian widow, arrives in Rome to take up service as a maid with the Rossetti family, made up of Mario, a doctor, his wife Giovanna and their children Andrea and Cristina. The economic conditions of the Rossetti are not flourishing and this causes tensions and disagreements. Read More »

Luciano Emmer – Parigi è sempre Parigi AKA Paris is Always Paris (1951)

Parigi e Sempre Parigi (Paris is Always Paris) was the second feature-length effort from famed Italian documentary director Luciano Emmer. Whereas Emmer’s first feature, Domenica d’Agosto (Sunday in August) was a warm-hearted study of the Italian middle class, Parigi concentrates on a gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. The hero, DeAngelis (Aldo Fabrizi), has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. This plot device, of course, obliges the director to introduce several delectable French mademoiselles in the proceedings. Ultimately, DeAngelis realizes that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out. Read More »