Marianna Moór

  • Miklós Szinetár – Az ember tragédiája AKA The Tragedy of Man (1969)

    2011-2020AnimationDramaHungaryMarcell Jankovics

    Quote:
    “The Tragedy of Man (Hungarian: Az ember tragédiája) written by Imre Madách was first published in 1861. The play is considered one of the major works in Hungarian literature and has earned a place in the national consciousness in that it is not only performed regularly in Hungary today but dialogue from the piece is often quoted and referred to.

    Starting with the expulsion from the Garden of Eden, the three main characters; Adam, Eve and Lucifer travels through history, playing their roles, from Ancient Egypt through the nineteenth century, into a distant and uncertain future. In each era the merits of the human race are presented by Adam, who believes in mankind and human achievement. But it is Lucifer, as the role of his servant or confidant, who exposes his dreams as ones built on injustice and misery.
    Eve appears often as a temporary restorative for Adams disappointment in the failures of mankind.Read More »

  • Márta Mészáros – Szabad lélegzet AKA Riddance (1973)

    1971-1980ArthouseDramaHungaryMárta Mészáros

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    29f7c043f76a2bde437fd0d52a185152

    Short Synopsis:

    Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

    NY Times Review, 1976 wrote:
    There may no longer be easily recognizable social classes in Communist Hungary, but there remain class distinctions that can be as malignant as any under the old order.

    “Riddance,” the 1973 Hungarian film directed by Marta Meszaros, is the rueful account of the love affair of a pretty, spirited young woman who works in a textile factory and a young university student whose parents are grossly more equal than other people. Having just emerged from the working class, his mother and father guard their bourgeois status not tenaciously, but primly, as if it were their bookcase full of fragile, unspeakably awful knickknacks.Read More »

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