Tag Archives: Maurice Pialat

Maurice Pialat – Van Gogh (1991) (HD)

A memorable depiction by one of the great French film-makers of the last 67 days of Vincent Van Gogh’s life. Deliberately steering away from sensationalism, the film covers the period after Van Gogh (Jacques Dutronc in a César-winning performance) comes to stay in Auvers-sur-Oise, near Paris and not far from his supportive brother Théo, to be treated by the physician Dr Paul Gachet. Beset by self-doubt, financial worries, and increasing signs of depression, Van Gogh feels himself attracted to the world of brothels and cabarets even as he pursues an intense, fluctuating relationship with Gachet’s much younger daughter Marguerite. He paints furiously as the depression takes hold and those around him must reassess their feelings for him…. Read More »

Maurice Pialat – À nos amours AKA To Our Loves [+Extras] (1983)

Synopsis:
With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À nos amours is one of his greatest achievements. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother. A tender character study that can erupt in startling violence, À nos amours is one of the high-water marks of eighties French cinema. Read More »

Maurice Pialat – Loulou (1980)

Synopsis:
Maurice Pialat’s portrait of contemporary France mocks prosperity as a substitute for social and sexual revolution. Nelly abandons her bourgeois friends and a steady relationship for the unemployed layabout Loulou, whose charms include focusing his energy into sex. Read More »

Maurice Pialat – Van Gogh (1991)

“allmovie” wrote:
Running nearly three hours, Maurice Pialat’s VAN GOGH is a leisurely paced look at the famous painter’s final year. Pialat’s portrait differs from many other films in that he shows Van Gogh (Jacques Dutronc) as being reasonably sane and he focuses on the everyday events of the painter’s life and art. Read More »

Maurice Pialat – Nous ne vieillirons pas ensemble AKA We Won’t Grow Old Together (1972)

Synopsis:
Rare is the film in movie-history that can announce the entire movement of it’s ‘plot’ with its title alone. But Pialat’s second feature, Nous Ne Viellirons Pas Ensemble does exactly that, encapsulating all the turmoil, and the final end-point, of a couple who among themselves once made a commitment – and living together will come to make another one yet. Jean (Jeane Yanne, of Godard’s Weekend) and Catherine (Marlene Jobert, of Godard’s Masculin Feminin) are the couple whose every move charts an advancement deeper into an emotional warzone. Theirs is the classic and the tragic case of an emotional abuse centered around a perplexing, but powerful, interdependency. Read More »