Tag Archives: Maurice Ronet

Louis Malle – Ascenseur pour l’échafaud AKA Elevator to the Gallows (1958)

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Malle’s first feature, a straightforward but classy thriller about an ex-paratrooper’s attempt to dispose of his mistress’ tycoon husband in a perfect murder. It became associated with the early excitements of the nouvelle vague mainly through the performances of Ronet (playing a prototype of the disgruntled Vietnam veteran) and Moreau (who does some moody solo wandering in the streets searching for her missing lover). The ingenious plot, using a malfunctioning lift as its deus-ex-machina, has one carefully plotted murder conjure another as its shadow image. But the cement holding the film together is really the splendid jazz score improvised by Miles Davis. Read More »

Alexandre Astruc – Le puits et le pendule AKA The Pit and the Pendulum (1964)

A haunting short version of Edgar Allan Poe’s famous story about a cruel and unusual punishment inflicted on a victim of the Spanish Inquisition… Read More »

Claude Chabrol – La ligne de démarcation (1966)

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A small village in the Jura is divided by the river Loue which marks the line of demarcation between Nazi occupied France and freedom. A French officer, Pierre, is released by the Nazi soldiers to find his chateau converted into a German command centre. Whilst he is obliged to co-operate with the enemy, his wife Mary plays a hand in supporting the French resistance. The Nazis step up their activity against the resistance, insisting that any who attempt to cross the line of demarcation will be shot. When his wife is arrested, Pierre decides to switch his allegiance… Read More »

Bertrand Blier – Beau-père AKA Stepfather (1981)

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Remy is morose, nearing 30 with his career as a musician going nowhere and his eight-year marriage to Martine souring. Then, Martine dies in a car crash, and Marion, her 14-year-old, wants to stay rather than move to her father’s. Remy likes the idea: he loves her, he’s raised her, and she offers him emotional responsibility. Marion’s father objects, but she’s willful, so he relents. Soon, she tells Remy she finds him attractive, that she’s now “a woman,” and why can’t they be lovers. Remy is appalled, but weakens, missing her when she spends Christmas with her dad. What if they do become lovers? What next? And what if a woman more his age enters the picture? Read More »

Claude Chabrol – La ligne de démarcation (1966) (HD)

1941. A little town in the Jura is cut in half by a river that forms the border between Nazi-occupied France and the free zone. Read More »

Jean Aurel – Les Femmes aka The Vixen (1969)

Plot Outline: Clara becomes a secretary who must cater to all the desires of the womanizing writer Jérôme, while he tries to write his memoirs. Read More »

Marcel Carné – Trois chambres à Manhattan AKA Three Rooms in Manhattan (1965)

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When his wife leaves him, a young French actor, François Combe, moves to New York to work for a television company. One evening, he meets an attractive young woman, Kay Larsi, in a bar. She is as lost and unhappy as he is, alone after her friend and flatmate Jessie left her. François and Kay become lovers, initially renting a room in a hotel before moving into François’ apartment. When François finds out that Kay is not only the wife of a diplomat, but also a wealthy countess who ran off with a gigolo, he begins to have doubts about the relationship. Then Kay announces she must return to her home in Mexico to visit her sick daughter… Read More »