Paolo Stoppa

  • Luis García Berlanga – Los jueves, milagro AKA Miracles of Thursday (1957)

    1951-1960ClassicsComedyLuis García BerlangaSpainSpanish cinema under Franco

    Synopsis:
    ‘In the village of Fuentecilla, there is a medicinal spa which was very popular in the past but that now has been forgotten by the public. In order to bring back the tourists, the “prominent men” of the village organize a fake miracle: the apparition of San Dimas, the local patron saint, which will take place every Thursday night. At first it works, but trouble begins when a stranger appears, claiming that he knows what’s going on and making peculiar demands in exchange for his silence.’
    – Pablo MontoyaRead More »

  • Luigi Zampa – Processo alla città aka The City Stands Trial (1952)

    1951-1960CrimeDramaItalyLuigi Zampa

    IMDB PLOT
    Turn-of-the-century Naples. Salvatore Ruotolo and his wife are murdered and their bodies are found in different locations. Since the evidence points to a crime by the Neapolitan crime organization, the Camorra, fear and corruption cause serious hindrances to the investigation by police authorities. In charge is a young and courageous judge who, using evidence discovered by chance, tries to reconstruct the story of the double murder. The plot that the judge must unravel is very complicated. Many people are questioned, even those apparently above suspicion. Deciding to get to the bottom of the matter, the judge keeps all the suspects under arrest, causing a backlash of public opinion.Read More »

  • Roberto Rossellini – Viva l’Italia! (1961)

    1961-1970ArthouseItalyRoberto RosselliniWar

    1860. Italy is divided in 8 states. But after 60 years of heroic wars, frontiers’ll soon fall, thanks to Giuseppe Garibaldi & the legendary volunteers who fought with him, known as the thousand.

    cinepassion wrote:
    The unification of Italy from Messina to Volturno, the past made flesh by Roberto Rossellini in a commemorative mood. Il Tricolore sways splendidly under the credits and then over a map of fragmented states circa 1860, a orchestral preamble concluding with a skirmish against an electric cobalt sky. Garibaldi (Renzo Ricci) is middle-aged, ginger-bearded, rheumatic, and utterly, serenely determined; before battle, he squats by the meadow to savor some local bread: “Anyone have any salt?” As the Redshirts charge uphill, the camera takes a paradoxically distant and urgent view of the clashing brigades and puffs of gunsmoke dotting the landscape — a study in long shots, a cosmic vantage.Read More »

  • Vittorio Cottafavi – I nostri sogni AKA Our Dreams (1943)

    1941-1950ComedyItalian Cinema under FascismItalyVittorio Cottafavi

    Leo (Vittorio De Sica) is young man trying to make a living without any success. Through fortuitous circumstances, he is assigned by the director of a big firm to accompany for one night the daughter of the firm’s accountant, Titi (María Mercader). Leo pretends then to be the son of a tycoon, and takes her in a luxurious restaurant.Read More »

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