Tag Archives: Pen-Ek Ratanaruang

Pen-Ek Ratanaruang – Invisible Waves (2006)

Synopsis:
After inadvertently killing his girlfriend, a man (Asano) flees Macau for Thailand in an attempt to cope with his guilt, and avoid possible arrest. But the relocation doesn’t prevent his problems from following him, as his new friends could be potential enemies. Read More »

Pen-Ek Ratanaruang – Fun Bar Karaoke (1997)

Quote:
Pu, a young girl, has been dreaming that her mother, who had died some years before, is building a house. A fortune teller advises her that, should she continue to have this dream, her father will die when the house is completed. Her father, a playboy, is a karaoke regular. He eventually becomes involved with Yok who has connections with the Chinese Mafia. Noi, son of an American soldier who dreams of saving money, is learning English and wants to leave for America. He is in love with Pu, but too shy to reveal his love for her. Pu cannot stop dreaming about the house. Her father’s relationship with Yok brings him nothing but bad luck… .. Read More »

Pen-Ek Ratanaruang – Ruang talok 69 AKA 6ixtynin9 (1999)

Quote:
As any fan of Asian film can tell you there are two major film producing countries on the rise right now. While Hong Kong is trying to fight their way out of a massive industry decline triggered by the reversion to Chinese rule and Japan seems content to hold steady the film cultures of Korea and Thailand have exploded to the forefront, both in terms of quantity and quality of the films being produced. And without a doubt one of Thailand’s brightest lights is writer / director Pen-Ek Ratanaruang. Read More »

Pen-Ek Ratanaruang – Samui Song (2017)

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Quote:
Interracial love, religious cults, hi-so culture (Thai high society) and an appetite for raw offal enrich and distract Thai auteur Pen-ek Rataranuang’s classic noir about a marriage turned murderous. Mystery and danger percolate in “Samui Song” all the way till the elliptical ending, which leaves audiences with a sense of lingering disquiet. However, there’s a certain spark missing both from the characters and the overall muffled tone. Heading to Toronto after opening the Venice Days section, the film should pique buyer interest based on the enduring popularity of the writer-director’s mid-career work, “Last Life in the Universe” and “Invisible Waves.” Read More »