Tag Archives: Peppino De Filippo

Esodo Pratelli – A che servono questi quattrini? (1942)

PLOT:
An elderly Marquis, having squandered all his fortune, begins a life as a vagabond philosopher and collects a small group of disciples to whom he teaches his thesis on the futility of work and of money.
Citing Socrates, Plato and Diogenes in his own way, according to his philosophy of life, money is useless and it is a sort of disease that afflicts humanity; moreover men should not work but devote themselves to contemplation and rest. Read More »

Mauro Bolognini – Guardia, guardia scelta, brigadiere e maresciallo (1956)

Personally, Bolognini did not feel that he was really at home with comedy, yet he was often offered comedies, and in the early stage of his career he accepted some of these assignments. These films were very successful, and the director ascribed the credit for this to the stars he worked with; in this case unquestionably a handful of Italy’s funniest men of the day: Alberto Sordi, Aldo Fabrizzi, Peppino De Filippo, and Gino Cervi. Read More »

Mario Camerini – Il Cappello a tre punte aka Three Cornered Hat (1934)

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Synopsis:

Also known as Three-Cornered Hat, this Italian comedy is based on a Spanish folk tale, which had previously been adapted as a ballet by Manuel de Filla. Director Mario Camerini and his team of screenwriters have refashioned the material as a vehicle for the popular De Filipo brothers, Peppino and Eduardo. The story is a mistaken-identity affair, predicated on the fact that a pompous governor is the exact look-alike of a poor miller. Much of the fun is derived from the efforts to pass off the miller’s homely wife as the governor’s gorgeous spouse. Described by one Mario Camerini devotee as “pretty, noisy and accomplished,” ‘Il Cappell a Tre Punte’ was filmed in 1934, and released in the U.S. two years later. Read More »

Aldo Fabrizi – La famiglia Passaguai AKA The Passaguai Family (1951)

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PLOT SYNOPSIS:
Dalla commedia Cabina 27 di Anton Germano Rossi.
Una domenica al mare di Ostia del cavalier Peppe Passaguai con la moglie e i tre figli. Una macchina comica romanesca che ha le sue ascendenze nel repertorio del teatro dialettale, dell’avanspettacolo e dell’umorismo del settimanale Travaso degli anni ’30 ma anche postbellico, arricchito da trovate più cinematografiche (l’anguria) e da notazioni di costume sulla piccola borghesia. Soprattutto nel primo tempo non mancano le gag azzeccate né le macchiette colorite, appoggiate a caratteristi già affermati (T. Scotti) o in erba (C. Delle Piane). Fu seguita da La famiglia Passaguai fa fortuna (1952) e Papà diventa mamma (1953).
(Morandini) Read More »