Tag Archives: Peter Weir

Peter Weir – The Cars That Ate Paris (1974)

A small town in rural Australia (Paris) makes its living by causing car accidents and salvaging any valuables from the wrecks. Into this town come brothers Arthur and George. George is killed when the Parisians cause their car to crash, but Arthur survives and is brought into the community as an orderly at the hospital. But Paris is not problem free. Not only do the Parisians have to be careful of outsiders (such as insurance investigators), but they also have to cope with the young people of the town who are dissatisfied with the status quo. Read More »

Peter Weir – The Mosquito Coast (1986)


From Reel Film Reviews:
The Mosquito Coast, based on the novel by Paul Theroux, manages to do the impossible: It makes Harrison Ford come off as a jerk. But despite this (or maybe because of this), The Mosquito Coast is a compelling little movie.

Ford stars as Allie, a brilliant inventor who’s never really put his talents to good use. He spends much of his time lamenting the current state of America, which is chock full of fast food joints and welfare leeches. Along with his wife and three kids, he lives a fairly comfortable life – taking odd jobs repairing things. In his spare time, he just happens to invent things like a machine that can instantly make ice using fire as fuel. But one day, he gets sick of the American way of life and convinces his family to move to a place called the Mosquito Coast somewhere in South America. He’s actually purchased a small area of land in that vicinity, which basically makes him mayor with a constituency of around 20 people. Allie and family proceed to turn the villagers lives upside down, initially for the better (they build quite an impressive little town, complete with a gigantic ice-making machine), but eventually, Allie begins to relish the power a bit too much and it’s all downhill from there. Read More »

Peter Weir – The Plumber (1979)

Weir made this plumber-from-hell telemovie directly after Picnic at Hanging Rock. Although feeling somewhat like an extended short film that pushes the limits of credibility when stretched into a longer narrative format (would anyone really put up with a plumber this bad, assuming that a plumber could be this bad) it is for the most part diverting thanks to the performances of Judy Morris as the stay-at-home wife and particularly Ivor Kants as the plumber and Weir’s skill (he also penned the script) in keeping us guessing as to where the story is going or even in a Hitchcock-like way, what kind of film we are watching, thriller, horror or comedy. Less convincing are the scenes with Robert Coleby as the over-preoccupied husband and university dork but at least stylistically they have a naïve charm. As a side interest the film also manifests Weir’s preoccupation with the primitive/civilized opposition and of course, water. – BH Read More »