Tag Archives: Ray Milland

Fritz Lang – Ministry of Fear (1944)

Synopsis:
Ray Milland plays Stephen Neale–a bewildered man just released from an asylum. However, reality proves to be more surreal and perplexing than the asylum itself. Neale wanders through the streets, whimsically stopping off at a rural carnival, where he unwittingly gets involved in a complex and dangerous spy ring that is attempting to smuggle microfilm out of the country. He travels to London and hires a small-time detective to help him decipher the mysterious things that seem to constantly befall him. But things only get more confused from there, leading Stephen to Scotland Yard, where his fate entwines with a Nazi front organization, and a love affair. Read More »

Denis Héroux – The Uncanny (1977)

Summary:
Wilbur Gray (Cushing) visits Frank Richards (Milland) so he can get his book published. This book Gray has written are about cats. Cats watching everyone and controlling everything. He mentions the stories in the book are all true, and gives three examples. The first involves the murder of a cat-loving old woman (Greenwood) who gives her entire fortune in her will to her cats. Not everyone is happy about the wills, but would have to get past the cats to get the the will. The second story is a tale of black magic between two girls and the third story is a tale of murderous revenge…by a cat. -imdb- Read More »

Lewis Allen – So Evil My Love (1948)

Berkeley Art Museum – Pacific Film Archive writes:
Ray Milland is both repellent and compelling in this Victorian thriller, directed with bleak panache by Lewis Allen (The Uninvited). Milland plays a charming thief, forger, and all-around blackguard who spots a prime mark in Ann Todd, a missionary’s widow and proprietor of a boarding house where Milland takes up residence. Under the influence of Milland’s advances, the straitlaced Todd abandons her inhibitions, eventually becoming complicit in larceny and blackmail—but her seducer will learn that a woman’s passion, once unleashed, can be difficult for even the most calculating con artist to control. A carefully drawn backdrop of British respectability heightens the drama of Todd’s decline: as so many English mysteries have proven, crime can be all the more thrilling when draped in crinoline. Read More »

Allan Dwan – The River’s Edge (1957)

Synopsis:
A murderous thief on the run with stolen loot forces a poor rancher to guide him across the desert into Mexico. Accompanying them is the rancher’s wife, who happens to be the killer’s former girlfriend. Read More »

Roger Corman – X AKA X: The Man with the X-Ray Eyes (1963)

Quote:
A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences. Read More »

Ray Milland – A Man Alone (1955)

Synopsis:
A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter. Read More »

John Farrow – Alias Nick Beal (1949)

ArtsEmerson writes: An update of the Faust story set in urban modernity, with Milland as the mysterious Nick Beal, the Mephistophelean tempter. District Attorney Joseph Foster (Mitchell) is after an elusive gangster when Beal—emerging from the fog—offers his assistance. The price to be paid is clear, as Farrow chillingly charts the initially law-abiding lawyer’s descent into corruption. With a notable hard-boiled turn from noir regular Audrey Totter, as the fallen woman Beal enlists to draw Foster away from his marriage. Read More »