Tag Archives: Robert Duvall

John Sturges – Joe Kidd (1972)

Synopsis:
Joe Kidd (Clint Eastwood) is a former bounty hunter and all-around tough-guy in the American southwest. When a band of Mexicans find their U.S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force-of-arms. Luis Chama (John Saxon) is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan (Robert Duvall), decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd’s horses and terrorizing his friends. Read More »

Ulu Grosbard – True Confessions (1981)

Synopsis:
In Los Angeles, circa 1940, an embittered, once-corrupt cop named Tom Spellacy is investigating two murders: that of a priest found dead in a whorehouse, and that of a mutilated woman in a park. As he searches for the culprits, Spellacy uncovers an immense web of corruption, involving prostitutes, dirty cops and pornography. Even the Roman Catholic Church is implicated, particularly one Monsignor Des Spellacy, Tom’s brother. Although Des is innocent of any wrongdoing, his actions raise moral and religious issues that Tom must deal with, in order to solve these bizarre murders. Read More »

Dennis Hopper – Colors [Unrated Version] (1988)

Quote:
A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of L.A. about to explode in violence in this look at the gang culture enforced by the colors that members wear. Read More »

Francis Ford Coppola – The Rain People (1969)

Quote:
Carefully observed and beautifully shot, the film that launched American Zoetrope 40 years ago is an early herald of Coppola’s talent for crafting delicate narratives that actors can sink their teeth into. Natalie (Shirley Knight) is a Long Island housewife trapped in a loveless marriage and stifled by domesticity. Two months pregnant and unable to bear her humdrum existence, she hits the road on a quest for freedom that Roger Ebert dubbed the “mirror image” of Easy Rider. Read More »