Tag Archives: Sergei Loznitsa

Sergei Loznitsa – Une nuit à l’opéra AKA A Night at the Opera (2020)

Using archive images, Sergei Loznitsa revisits the gala evenings organized at the Palais Garnier in the fifties and sixties. Between prestige and protocol, these evenings gathered both celebrities and ordinary people who came by the thousands from the Place de l’Opéra to watch this spectacle, of which the director amusingly brings out the irony… Read More »

Sergei Loznitsa – State Funeral (2019)

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Unique, mostly unseen before, archive footage from March 1953, presents the funeral of Joseph Stalin as the culmination of the dictator’s personality cult. The film addresses the issue of Stalin’s personality cult as a form of terror-induced delusion. It gives an insight into the nature of the regime and its legacy, still haunting the contemporary world. Read More »

Sergei Loznitsa – Donbass (2018) (HD)

When war is called peace, when propaganda is uttered as truth, when hatred is declared to be love, then life itself begins to resemble death. In the Donbass, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside mass scale robberies perpetrated by gangs. Read More »

Sergei Loznitsa – Donbass (2018)

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In eastern Ukraine, society begins to degrade as the effects of propaganda and manipulation begin to surface in this post-truth era. Read More »

Sergei Loznitsa – Polustanok aka Train Stop (2000)

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Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Read More »

Sergei Loznitsa – Northern Light AKA Lumière du Nord (2008)

A small village located on the shores of the White Sea, 2008. In Northern Russia.

While winter has shrouded everything in the glacial night of the North, a few hours of light per day seep in on the eve of Easter in the village of Soumskiy Pozad, around a thousand kilometers to the north of Saint-Petersburg, in the province of Karelia. Connected to the rest of the country by a vague muddy road and a piece of railroad, the village experiences a suspended and mysterious time. The film is about the Russia of unending forests and potato fields. A few robust and intransigent people live peacefully, in no hurry by pressing needs. Two small girls have just been adopted by a family. The woman is sweet and soft-spoken, whereas the man is hot-tempered. It is Chekov’s Russia: still happy, yet torn apart, and cold.
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