Yufit continues themes from Silver Heads, this time featuring an artist who paints insects, and who discovers evidence of scientific experiments aimed at understanding and controlling the progress of man. Specifically, what caused man to stand upright, thus moving away from a more practical and natural lifestyle and into a modern, intellectual one. The experiments attempt to recreate this effect or fuse the advantages of both. He moves into an old house with his family, is haunted by strange visions and dreams, but when his children uncover a film archive documenting the experiments, and a strange old man disturbs his peace, he loses his simple pleasures and his mind regresses into a form of insanity. While he slowly unravels the truth, experimental bipedals (naked crouched men) roam and terrorize the countryside chased by the government. By far Yufit’s most conventional narrative, with odd, mildly interesting but simplistic meditations on humankind.
— The Worldwide Celluloid Massacre Read More »