Tag Archives: Victor Sjöström

Victor Sjöström – Körkarlen AKA The Phantom Carriage (1921)

The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly collecting fresh souls for the next year. So says the legend that drives The Phantom Carriage (Körkarlen), directed by the father of Swedish cinema, Victor Sjöström (The Wind), about an alcoholic, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways and the pure-of-heart Salvation Army sister who believes in his redemption. Based on a novel by Nobel Prize winner Selma Lagerlöf, this extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects. Read More »

Victor Sjöström – The Wind (1928)

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TCM review
Lillian Gish’s reputation may have been established in several historic D.W. Griffith pictures, but she usually ended up playing a very talented second fiddle to Griffith’s legend as a film pioneer. Nevertheless, Gish’s genius is most readily apparent in Victor Seastrom’s The Wind (1928), a psychologically-charged character study that hinges on her arsenal of small, telling gestures. This is one of the classic performances of silent cinema, and it came at a time when talkies were on the verge of burying the silents forever. Read More »