Tag Archives: Yilmaz Güney

Yilmaz Güney – Yarin Son Gundur (1971)

Quote:
Gangsters and lovers Black Child (Guney) and Blue Child (Girik), decide to live a quiete and simple life, away from crime. But their enimies and police are still suspicious about them. While police is waiting for their
mistake, their enimies are determined to give them two choice;
Work for Us or Die! Read More »

Yilmaz Güney – Piyade Osman (1970)

A young photographer has done his military service in the infantry and lover. And coincidences turn the dirty work of the gang hiding place on the photographer and photographed by her boyfriend prepares beginning of the end. Read More »

Yilmaz Güney – Duvar (1983)

Synopsis:
Teens in a Turkish prison struggle to survive under hideous conditions. Made by dying Yilmaz Guney in France, after he escaped from a Turkish prison, enabling him to accept his award at Cannes for Yol (The Road). When the Turkish superstar leading man turned human rights activist, Guney was convicted for pro-Kurdish political activity and murder, by the Turkish military regime. Director/writer Guney’s last film, Duvar (The Wall), was banned in Turkey for 17 years. The incarcerated teens organize and fight back, brutalize each other, exult over the smallest triumph, while joking, suffering and learning from the inhumanity they wallow in. The prison also separately houses men and women, many played by other Turkish expatriates. Read More »

Yilmaz Güney – Agit AKA Elegy (1972)

Synopsis:
Coban and his four comrades are smugglers who live in the bleak, inaccessible mountains. They are hard, pitiless men like the county they live in, whose daily commerce is in greed, danger, betrayal and murder. Read More »

Lütfi Akad – Hudutlarin Kanunu AKA The Law of the Border (1966)

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Quote:
Set along the Turkish-Syrian frontier, this terse, elemental tale of smugglers contending with a changing social landscape brought together two giants of Turkish cinema. Director Lütfi Ö. Akad had already made some of his country’s most notable films when he was approached by Yılmaz Güney—a rising action star who would become Turkey’s most important and controversial filmmaker—to collaborate on this neo-western about a quiet man who finds himself pitted against his fellow outlaws. Combining documentary authenticity with a tough, lean poetry, Law of the Border transformed the nation’s cinema forever—even though it was virtually impossible to see for many years. Read More »

Yilmaz Güney – ACI aka Pain (1971)

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Synopsis:

Ali grew up as an orphan in a village in Kapadokia and became one of Haceli´s henchmen who is the village´s mafia boss. On his orders Ali killed the young Avanos’ son Yasin and went to prison for 15 years. The film starts with Ali being released and returning to the village. He visits Yasin´s grave and then calls on the old Avanos and begs his forgiveness. Avanos refuses, his daughter Zeliha strikes Ali down with a log. Then they carry the unconscious Ali inside and tend to his wounds. Ali takes Yasin´s place and helps the old Avanos on the fields. Read More »