One of Pasolini’s most enigmatic films, it extends his cinematic obsessions into the realms of cannibalism and bestiality with two interweaving stories of two young men who become sacrificial victims of their different societies. One of them is a soldier and cannibal (Clementi) in a medieval wasteland and the other a son (Léaud) of an ex-Nazi industrialist (Tognazzi) in modern-day Germany. The young German is more attracted to pigs than to his fiancée (Wiazemsky). This rather silly parable, very much a product of the late 1960s, in which the bourgeoisie is caricatured, is filmed with such calm beauty and underlying disgust that it seems to gain in significance. Theorem (1968) and Pigsty were the only films in which the Marxist Pasolini dealt directly with the hated middle classes; thereafter he left the 20th-century behind until his final film, Salo (1975), which looks at even more extreme human actions.
I killed my father, I ate human flesh, and I quiver with joy.
included: English idx/sub