J. Lee Thompson – Conquest of the Planet of the Apes (1972)



The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple’s infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend’s identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall’s three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide

By all rights, the series squeezed from that grand sci-fi thriller, “Planet of the Apes,” should he shedding hair all over the place by now. Number Four, “Conquest of the Planet of the Apes,” arrived yesterday. It’s not bad, as apes and 20th Century-Fox go, at least hand in hand.

There’s the plot, with a talking chimpanzee befriended by a circus owner and finally leading a swarm of enslaved hairy-clad pals in revolt in a futuristic world of icy-veined humans. The series’ writer, Paul Dehn, nimbly continues the story from the predecessor, weaving in just enough crisp philosophizing on both sides to command attention.

Furthermore, J. Lee Thompson’s direction furiously propels the action in a compact chromium-and-glass setting—and wait till you see that last battle royal. Don Murray, Hari Rhodes and Ricardo Montalban do well on the erring human side. But yesterday’s audience at the New Embassy cheered the perservering apes and so did I. At ’em, boys!

Can an ape look foxy? Roddy McDowall, who steals the picture as their articulate leader, certainly does, with those piercing eyes blinking through a shaggy hide. Anyway, yesterday the apes conquered the planet. Now let’s have a sequel called “Take It Back.”
Howard Thompsonn , New York Times, June 30, 1972


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