Marijke de Valck – Cinephilia: Movies, Love and Memory (Film Culture in Transition) (2005)

Quote:
Publisher description for Cinephilia : movies, love and memory / edited by Marijke de Valck and Malte Hagener.

They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut’s Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.

Cinephilia : movies, love and memory

Author: Marijke de Valck; Malte Hagener
Publisher: Amsterdam : Amsterdam University Press, ©2005.
Series: Film culture in transition.
Edition/Format: eBook : Document : English

Genre/Form: Electronic books
History
Additional Physical Format: Print version:
Cinephilia.
Amsterdam : Amsterdam University Press, ©2005
(DLC) 2005458732
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Marijke de Valck; Malte Hagener

ISBN: 1423709640 9781423709640 9048505445 9789048505449
OCLC Number: 60759654
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Contents:

Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic
Pleasures 11
Marijke de Valck and Malte Hagener
I. The Ramifications of Cinephilia: Theory and History
Cinephilia or the Uses of Disenchantment 27
Thomas Elsaesser
Dreams of Lost Time 45
A Study of Cinephilia and Time Realism in Bertolucci’s THE DREAMERS
Sutanya Singkhra
Mass Memories of Movies 55
Cinephilia as Norm and Narrative in Blockbuster Culture
Drehli Robnik
Love in the Time of Transcultural Fusion 65
Cinephilia, Homage and KILL BILL
Jenna Ng
II. Technologies of Cinephilia: Production and
Consumption
Remastering Hong Kong Cinema 83
Charles Leary
Drowning in Popcorn at the International Film Festival Rotterdam? 97
The Festival as a Multiplex of Cinephilia
Marijke de Valck
Ravenous Cinephiles 111
Cinephilia, Internet, and Online Film Communities
Melis Behlil
Re-disciplining the Audience 125
Godard’s Rube-Carabinier
Wanda Strauven
The Original Is Always Lost 135
Film History, Copyright Industries and the Problem of Reconstruction
Vinzenz Hediger
III. Techniques of Cinephilia: Bootlegging and
Sampling
The Future of Anachronism 153
Todd Haynes and the Magnificent Andersons
Elena Gorfinkel
Conceptual Cinephilia 169
On Jon Routson’s Bootlegs
Lucas Hilderbrand
Playing the Waves 181
The Name of the Game is Dogme95
Jan Simons
The Parenthesis and the Standard 197
On a Film by Morgan Fisher
Federico Windhausen
The Secret Passion of the Cinephile 211
Peter Greenaway’s A ZED AND Two NOUGHTS Meets Adriaan Ditvoorst’s
DE WITTE WAAN
Gerwin van der Pol
Biographies 223
Index of Names 227
Index of Film Titles 233

Series Title: Film culture in transition.
Responsibility: edited by Marijke de Valck and Malte Hagener.

Abstract:
Documents the latest generation of cinephiles and their use of new technologies

http://nitroflare.com/view/4F3797785144D34/Cinephilia.pdf

Language(s):English