He was part of the french underground from the late 60’s to begging 80’s. He was related to directors such as Philipe Bordier, Jean-Pierre Bouyxou, Marcel Hanoun, etc. His early stuff is quite political (maoïst), and then his cinema tends towards psychoanalysis.
Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work – once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.
Enard was as much an academic and critic as he was a filmmaker, his work is at times highly theoretical, emerging out of his interests in psychoanalysis. Pourvoir is his longest work.
It includes a few snippets of interview with Jacques Lacan on the soundtrack, but other than that, no dialogue.