In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the ‘king of the beggars’.
Brecht’s opera, as we have seen, is not as ideologically pure as he would have us believe, nor is Pabst’s film as apolitical as Brecht charged. Both works are to be valued in their own right, although to my mind, Pabst’s film is ideologically more correct from a Marxist point of view. One can argue, then, that despite Brecht’s objections to the film, Pabst’s version of THE THREE PENNY OPERA is the most Brechtian film adaptation of Brecht’s work to date.
1.85GB | 1 h 51 min | 640×540 | mkv
Language:German; English commentary