“Through and Through” is a legendary feature focusing on radicalization of cinematic language. The film transgresses traditional methods of narrative construction, which is characteristic of its genre. This non-conentional treatment of the cinematic form places this film somewhere between experimental art and cinema, in a domain that does not properly belong to either field. Krolikiewicz’s radical debut is representative of his parallel pursuits – as a filmmaker as well as film theorist – and employs his crucial theory of “out – of – frame cinematographic space.” The first film in his trilogy (together with Dancing Hawk and Endless Claims), which portray typical Polish anti-heroes imprisoned by reality, “Through and Through” criticizes the nihilism and depravity created by the socio-political system.
1.10GB | 1h 10mn | 728×546 | mkv