After saving a Black Panther from some racist cops, a black prostitute goes on the run from “the man” with the help of the ghetto community and some disillusioned Hells Angels.
“Sweetback was politically unacceptable on the one hand, but it made a lot of money on the other. And I thought it was a stroke of genius to suppress the political aspects and highlight the cartoonish aspects, and there you’ve got your blaxploitation. In essence, blaxploitation ushered in a bunch of counterrevolutionary films….The upside was that because the films were so markedly “urban”–and I’m using the code word–they had to use minorities in central roles. So a lot of people got to learn a craft that had always been denied them.”
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