1931-1940

This is the third film based on a story by Lajos Biro and Jules G. Furthman. The first two were silent films, Cecil B. DeMille’s The Whispering Chorus in 1918, and The Way of All Flesh in 1927. In this melodrama, Paul Kriza (Akim Tamiroff), a respectable bank cashier, leaves his wife Anna (Gladys George) and their children to seek greater fortunes in the big city. But instead of making his mark, he makes a mess of his prospects, and he ends up destitute. Ashamed to face his family, he remains in the city, and is presumed to be dead.Read More »

Judy Bloch, Pacific Film Archive wrote:
Aubignac, a village situated high upon a crag in Provence, suffers the common fate of such enclaves, reduced and abandoned over time. Only three people remain: an old blacksmith, a withered crone, and a middle-aged poacher, Panturle (Gabriel Gabrio). And finally, it is Panturle, alone. Enter Arsule (Orane Demazis), a down-at-the-heels cabaret singer, and Gédémus (Fernandel), an itinerant knife-grinder who has picked her up; now she pulls his cart, like something out of La Strada. Arsule and Panturle team up to revitalize her existence and his land, the welcoming soil of Aubignac. Harvest, based on Jean Giono’s novel, is at once Pagnol’s crudest and clearest statement about humans and the earth: both will decay if left alone. But there is darkness, too—like the grinder whose comic ruses are edged with threat—against which the simple humanity of Arsule and Panturle becomes rather more complex.Read More »

Synopsis:
Anti-semitic Nazi propaganda “biography” of the Rothschilds, a German Jewish family whose members rose to the top of the European banking community during the Napoleonic era.Read More »

PLOT: Joe and Paul Fabrini are Wildcat, or independent, truck drivers who have their own small one-truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.Read More »

In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Read More »

European tourists on holiday in Morocco are threatened by a native sorcerer who predicts five of them will die, one by one, before the full moon.Read More »

Synopsis wrote:
Aged penniless actors are living in a old people’s home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of love affairs. Passions come back, and jealousies… A bitter film about aging, failure and the entertainment.Read More »

PLOT:
Ayako becomes the mistress of her boss so she can pay her father’s debt and prevent him from going to prison for embezzlement.Read More »

Quote:
A bit like The Downfall of Osen (Orizuru Osen, 1935), this film centers on a woman who’s a cat’s paw for a gang involved in shady dealings. Okichi, played by Yamada Isuzu, is pulling scams for the sake of her lover. But she falls out with the gang and takes pity on one of the young men whom she victimizes.

I can’t comment on the film after only one viewing, and the fact that Mizoguchi is credited after Takashima suggests that he may have had little input. Still, it’s another tale of a woman who sacrifices herself for more or less unworthy men. Miss Okichi also has some typically Mizoguchian scenes that dwell on chiaroscuro melancholy. Much of the film takes place at night, and this strategy reinforces the somber atmosphere. There are some remarkably opaque long shots and one moment that includes Okichi turning toward the camera in a sort of plaintive challenge.Read More »