A man who returns to Los Angeles to wrap up his mother’s estate sets out in search of the mysterious woman named in her will. Read More »
Perhaps the reason why this movie is getting such a bad rap is mainly a fault of its well-meaning, but still incoherent style and narrative structure. I have not read any articles on this movie or interviews with the director to know what his overt intention was, but in the end I think the movie falls short of its mark due to Kim’s perennial fixation on obsession, whether it was his intention to delve into this subject matter or not. On most levels, obsession is a largely private affair, and any exegesis of obsession enmeshed within the loaded geopolitical situation that is now Korea would require a broader vision and canvas matched with a technical command of story telling than any that Kim has been able to provide here or elsewhere. Read More »
Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism…
Address Unknown (2001) is Kim Ki-Duk’s most political film so far which traces the scars left by the Korean war of the 1950s and its contemporary reverberations on a US Army base. Read More »
An official selection of Cannes Critics Week and winner of the Special Jury Prize at SXSW, THE MYTH OF THE AMERICAN SLEEPOVER is a youthful and tender coming-of-age drama from first-time writer/director David Robert Mitchell.
In the tradition of free-wheeling tributes to adolescence like DAZED & CONFUSED, the film follows four young people (a cast of brilliant young newcomers in their feature film debuts) on the last night of summer – their final night of freedom before the new school year starts. The teenagers cross paths as they explore the suburban wonderland they inhabit in search of love and adventure – chasing first kisses, elusive crushes, popularity and parties – and discover the quiet moments that will later resonate as the best in their youth. Read More »
In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully unaware that she is a lesbian,recording her thoughts and exploits in a coded diary. When her lover Mariana Belcombe makes a marriage of convenience to rich old Charles Lawton,she feels betrayed and,although Mariana visits and has sex with her,the relationship is going nowhere. Helped by old flame Tib she makes a play for innocent Miss Browne but sees she is barking up the wrong tree and diverts herself by renovating the family hall. A drunken Tib almost exposes her secret and scornful mine-owner Christopher Rawson,whose marriage proposal she rejects,tells her that her sexuality is a subject of local gossip. Undeterred Anne meets Ann Walker who becomes her new ‘wife’ and they open a coal-mine ,living happily together. An end title tells us that Anne Lister died prematurely in 1840 on holiday in Russia. Read More »
A young Kurdish refugee finds friendship from an unlikely source in Welcome, writer-director Philippe Lioret’s dramatic (chronicle of intersecting lives. The tale unfurls in Calais, a seaside community in the north of France where one can glimpse the white cliffs of Dover, England with the naked eye. Vincent Lindon stars as Simon, a local swimming instructor privately reeling in turmoil because he dreads an imminent divorce from his wife (Audrey Dana). Soon, his path unexpectedly criss-crosses with that of Bilal (Firat Ayverdi), a 17-year-old Kurdish refugee with two aspirations: swim the English Channel, and join his girlfriend in England following a lengthy separation. Despite their differing ages, the two men discover that they have a fair amount in common, and soon forge a tight bond marked by similar goals.) Read More »
Ki-duk Kim – Bom yeoreum gaeul gyeoul geurigo bom AKA Spring, Summer, Fall, Winter… and Spring. (2003)
From the award-winning Korean writer/director/editor Kim K-Duk comes this critifcally acclaimed and exquisitely beautiful story of a young Buddhist monk’s evolution from innocence to Love, Evil to Enlightenment and ultimately to Rebirth.
Prayer, meditation, and appreciation of nature are the sacraments by which two monks live a simple life in Korean director Kim Ki-Duk’s SPRING, SUMMER, FALL, WINTER… AND SPRING. A wise old monk (Oh Young-soo) is master to a young student, and remains so throughout the changing seasons of the younger monk’s life. In springtime the young monk is a 5-year-old boy, in summer he is a teenager, in fall he is a 30-year-old man, and in winter he is in mid-life. The master and his student live in a tranquil house that floats in the middle of a pond hidden in a vast woodland. Paddling their row boat to the edge of the pond, they roam the forest collecting herbs for medicine, observing animals, and learning deep lessons about life. Read More »