Ala Eddine Slim

  • Ala Eddine Slim – Tlamess (2019)

    Quote:
    In Tunisian director Ala Eddine Slim’s experimental second feature, a soldier deserts his unit and lives on his instincts in the woods.

    An experimental anomaly on the Tunisian film front, writer-director Ala Eddine Slim has won a following with two films that leave logic and realism behind to chart a muddy course through the minefield of experimental-apocalyptic narrative. Although their meaning is hard to grasp (perhaps on purpose?), they have attracted attention. After Eddine Slim’s first feature The Last of Us was shown in New Directors, New Films in New York, his new but cut-from-the-same-cloth Tlamess turned up in Cannes’ Directors’ Fortnight. Wherever these enigmatic, schematic and often pretentious works are shown, their basic lack of dramatic truth haunts them and they run the risk of hearing frustrated audiences demand the emperor put some clothes on.Read More »

  • Ala Eddine Slim – Akher Wahed Fina AKA The Last of Us (2016)

    29f7c043f76a2bde437fd0d52a185152

    With no dialogue, The Last of Us tracks a Sub-Saharan man through the desert to North Africa where he steals a boat. When it breaks down in the middle of the sea, he begins an imaginary surrealistic odyssey where he meets an older man, who might be an altered version of himself, and, in a wild landscape, rediscovers his relationship with primary nature. “A philosophical fable on being lost” (Giona Nazzaro).

    Awarded with the Lion Of the Future in the 73rd Venice Film Festival (2016)Read More »

Back to top button