The Cinema of Soviet Kazakhstan 1925–1991: An Uneasy Legacy
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Razluchnitsa is, first and foremost, a two-faceted love story: about the love between men and women, and about the love between siblings. The violent removal of the one person who disturbs the peace in the brothers’ home seems to happen with the quiet approval of both Adil and Rustem. This gives the story, which for two-thirds of the film resembles a late 1950s’ French nouvelle vague picture, an unexpected edge. Even the title appears in a paradoxical light: normally, the word “razluchnitsa” refers to a woman who is loved by a married man who then leaves his wife and family to be with her (the English translation is “homewrecker”). Read More »