
A young photographer has fallen in love with his girlfriend’s sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.Read More »
A young photographer has fallen in love with his girlfriend’s sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.Read More »
Quote:
Young fotographer Sophie exchanges her flat with a student from Marseille. It’s February, Marseille seems rough and inaccessible. Sophie is by herself and takes photographs. In a car repair shop she asks the young mechanic Pierre, if he can get her a car. The more she turns herself over to the city, the more impossible her previous life seems to her …Read More »
Abandoned as a baby, Jon finds himself in prison on a manslaughter charge. He falls in love with prison guard Iro, unaware of their fateful connection.Read More »
A boy grows up with his step-parents in Greece. At the age of 20, he unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison. They are both unaware of the fact that she is his biological mother. Twenty years later, he lives in London with his daughter and is beginning to lose his eyesight.Read More »
Synopsis
Angela Schanelec’s first feature since 2010 is the much-anticipated Der traumhafte Weg, a serious work that is deliberately constructed image upon image and allows the viewer to read a seemingly realistic, yet artificially created world as it is being experienced, yet ultimately works against any simple narrative comprehension. The best way to tackle Der traumhafte Weg is to proceed, scene by scene, with a description of the shots, of how within the shots the characters are framed, how the characters gaze, how they hold their bodies… In other words, it is an Angela Schanelec film, where attention is required and rewarded, and the characters are at the mercy of the elements of chance.Read More »
Synopsis:
An attempt to observe life from the outside – to gain distance, to not interfere, to just observe. Two young women sitting in a café on a summer day, a family arriving at the airport, an older woman sitting alone in a train, adult children standing in front of the hospital where their father is dying. Situations found everyday, a thousand times over. But what happens when you try to depict this normality?Read More »
Quote:
Nadine is obsessed by a memory linked to a haunting tune she can no longer sing — until she hears someone else singing and everything falls back into place again. A melancholy observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.Read More »
Variety:
Film Review: ‘I Was at Home, But…’
Taking its cue from the punctuation in its title, Angela Schanelec’s latest auteur puzzle is elegant and entirely elliptical.
Take note of that unfurling ellipsis in the title of “I Was at Home, But…,” for it’s the first of legion in the latest tranquil brainteaser from Berlin School auteur Angela Schanelec. After unaccountably disappearing for a week, a 13-year-old boy’s return home triggers a variety of physical and psychological maladies in the household: that’s the plainest precis possible, but any potted description of this radically opaque family drama is likely to make it sound more straightforward than it is. Read More »
Synopsis
After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life.Read More »