Anocha Suwichakornpong

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How do you put together the puzzle if the image is missing? You start from individual pieces and see how they fit together. There are the four young actors on a trip to Kanchanaburi, “a city so meaningful, I’d rather die if I don’t get to be with you”, as the song goes. They stay in a hut in the forest by the river, drink on the terrace, talk and watch the fireworks at night, the same scene they later re-enact on the stage set back in Bangkok. The harried young woman is lost in the same forest, or maybe in the young actress’ dream; when the screen splits into two distinct parts, it’s also not clear how they fit together. The foursome came to Kanchanaburi to see the museum, but it’s closed for refurbishment, although they still manage to walk along Hellfire Pass. You can hear the sounds of construction as the scenery rushes past on the train; you can see the rails rush towards you from the window of the theatre set. If you follow the Death Railway back from the west, you reach Bangkok too, which was once home to the Dusit Zoo; the actors also cluck, howl and bark, in city and country alike. What if the missing image isn’t one place or moment in time, but many?Read More »

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Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore. Each story occurs at a specific meal-time, and seeks to interpret the frailties and complexities of love through different East Asian perspectives. All three stories are tethered with the question, “Will you marry me?” Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.Read More »

How do you put together the puzzle if the image is missing? You start from individual pieces and see how they fit together. There are the four young actors on a trip to Kanchanaburi, “a city so meaningful, I’d rather die if I don’t get to be with you”, as the song goes. They stay in a hut in the forest by the river, drink on the terrace, talk and watch the fireworks at night, the same scene they later re-enact on the stage set back in Bangkok. The harried young woman is lost in the same forest, or maybe in the young actress’ dream; when the screen splits into two distinct parts, it’s also not clear how they fit together. The foursome came to Kanchanaburi to see the museum, but it’s closed for refurbishment, although they still manage to walk along Hellfire Pass. You can hear the sounds of construction as the scenery rushes past on the train; you can see the rails rush towards you from the window of the theatre set. If you follow the Death Railway back from the west, you reach Bangkok too, which was once home to the Dusit Zoo; the actors also cluck, howl and bark, in city and country alike. What if the missing image isn’t one place or moment in time, but many?(From Berlinale Forum)Read More »

Explores the relationship between Ake, a young man who is paralyzed from the waist down after an accident, and Pun, the male nurse who takes care of him, and of course Ake’s father. Ake is at first cold towards his nurse Pun, but as Pun continues to earnestly take care of him he starts to open up his heart through candid conversations. The physical contact with Pun makes him rethink physical desires that he wants to forget. The grudge he held against his father slowly abates. All of this slowly becomes the motivating factor to confirm that he is alive, albeit with physical problems.Read More »

Krabi, 2562 explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.Read More »

By the Time it Gets Dark encompasses multiple stories of Thailand whose connections are as spiritual as they are incidental. We meet a pair of actors whose paths take them in very different directions. We meet a young waitress serving breakfast at an idyllic country café, only to later find her employed in the busy dining room of a river cruise ship. And we meet a filmmaker interviewing an older woman whose life was transformed by the political activism of her student years and the Thammasat University massacre of 1976.Read More »