Alexe Poukine – Sans frapper AKA That Which Does Not Kill (2019)

Alexe Poukine tells the story of Ada, 19, brutally abused three times a few days apart by the same boy. Read More »

Adil El Arbi & Bilall Fallah – Patser AKA Gangsta (2018)

Antwerp. The lives of four dealer friends, who want to become real life swaggers, spins out of control when they steal a shipment of cocaine. They trigger a full out war between them, an Amsterdam drug lord and the ruthless Colombian cartels. Read More »

Vera Chytilová – Chytilova Versus Forman (1982)

In the early sixties, Vera Chytilova and Milos Forman were follow students at the Prague film school. Both were part of the Czech New Wave. Then Forman went to live and work in Hollywood, his colleague remaining in Europe.

The two had not been seen each other for ten years when they meet again for this portrait. The confrontational aspect is stressed by the title, after all their two careers could not be more different. Forman became one of the Hollywood Greats, whereas his compatriot aimed for something more subtle, closer to the cinema of discovery and experimentation. It is this clash between two often diametrically opposed filmic conceptions which here takes centre stage. Read More »

Eric Pauwels – La Deuxième Nuit AKA The Second Night (2016)

On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. The second night is the final part of a trilogy that began with Letter from a filmmaker to his daughter, which was followed by Dreaming films. The making of this ” Cabin Trilogy” is the fruit of fifteen years of work and reflection. Read More »

Manon de Boer – Think About Wood, Think About Metal (2011)

In a series of films in which we discover the portrait of a woman, Manon de Boer prolongs her experiments during the meeting with Robyn Schulkowsky. In Italy and then Germany, the rotation of the lens leads us in a false loop where the visible is metamorphosed by the audible. The meetings of the musician make up the journey of an instrumentalist confronted with some contemporary composers whose evocation disturbs our appreciation of the pieces performed. The sound portrait animates the vision of performance spaces.
—Gilles Grand Read More »

Laura Wandel – Un monde AKA Playground (2021)

When Nora witnesses Abel being bullied by other kids, she rushes to protect him. But Abel forces her to remain silent. Caught in a conflict of loyalty, Nora tries to find her place, torn between children’s and adult’s worlds. Read More »

Paul Haesaerts & Henri Storck – Rubens (1949)

Cinema meets art critic. In this film commissioned by the Ministry of Education, Paul Haessaerts is responsible for ensuring that the screenplay (which he wrote together with Henri Storck) and the voice-over are intelligently informative. He provides a definition of Baroque, talks about the images’ composition, refers to Rubens’ life and makes a thematic analysis of his work, its evolution and it’s influence. The content is entirely in line with the demanding guidelines that André Bazin praised when explaining the education role of cinema. The form is innovative and inventive. The animation emphasizes the paintings’ key elements and structure and visualizes the composition. The split screen makes it possible to make comparative analyses of paintings and styles. Notwithstanding this textbook virtuosity Storck develops his own method, using the camera’s movements to enter into the drama of the painting. Tracking shots, exploring the painting, stopping at a detail, fragmentation, the closeness of the bodies and the faces. The first part of the film is analytical and biographical, the second part takes us, lyrically, into the paintings and into Rubens’ world “that the film recreates before our eyes” (Paul Davay). Both parts feature a very prominently present orchestral score. Read More »