Michael Billington:
There are many ways of approaching Shakespeare’s youthful tragedy: Rob Ashford and Kenneth Branagh take the scenic route in this new production. We are plunged into a vividly imagined 1950s Italy of dark-suited men, petticoated women, bicycling friars, patriarchal oppression and frantic partying. You feel Fellini is due any moment to film it with a movie camera and, even if the result has its oddities, the production certainly has a pulsating energy.Read More »