Books

Quote:
Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts – industrial and cultural, as well as aesthetic and critical – the themes of Kubrick’s films sum up the current vibrant state of Kubrick studies.Read More »

From New York Times bestselling author Scott Eyman, this is the story one of the most influential studios in film history, from its glory days under the leadership of legendary movie mogul Darryl F. Zanuck up to its 2019 buyout by Disney.

March 20, 2019 marked the end of an era – Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled – and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was.Read More »

“Countless books have been written about Greta Garbo since her self-imposed exile in the 1940s, yet this comprehensive biography may be the final word. Gottlieb’s research is so complete and his style so engaging that this book almost reads like an oral biography told through a singular voice… This is a brilliantly written and constructed portrait of a true icon of the cinema…” (Library Journal)

“Searching and sensitive … A lengthy “Garbo reader” full of excerpts and articles about her rounds out Gottlieb’s perfectly paced account and the wealth of photos is a plus. The result is a masterful look at an elusive Hollywood giant….” (Publishers’ Weekly)Read More »

Quote:
A monumental work of scholarship on one of the most important and neglected areas of film history, Richard Abel’s massive study is already clearly destined to occupy a position of deserved pre-eminence in relation to all foreseeable future work done on this seminal period in French cinema. At once a work of critical synthesis and a compendium of infor-mation containing much original research, it remains indispensible less for its overall critical argument than for its wealth of data, making it more valuable as a reference source than as a “definitive” history. The book is divided into four sections, any one of which contains enough important material to constitute a significant book in its own right: “The French Film Industry,” “The Commercial Narrative Film,” “The Alternative Cinema Network”and “The Narrative Avant-Garde.” — Jonathan RosenbaumRead More »

Journal Description
Quote:
Film Quarterly, published since 1958, provides readers with insightful analyses of film, the film industry, and international cinemas. More than a glimpse behind the scenes, Film Quarterly offers serious film lovers in-depth articles, reviews, and interviews that examine all aspects of film history, film theory, and the impact of film, video, and television on culture and society.
It was first published in 1945 as Hollywood Quarterly, was renamed The Quarterly of Film Radio and Television in 1951, and received its current title in 1958.Read More »

Quote:
“Positif” a publié le premier entretien avec Tarkovski en France. Cette anthologie de textes parus dan la revue rassemble études, critiques, entretiens avec le cinéaste et témoignages de ses collaborateurs. Elle est illustrée de 70 photographies.Read More »

Ridley Scott: A Critical Filmography
by William B. Parrill
Paperback: 189 pages
Publisher: McFarland & Company (July 15, 2011)
Language: English
ISBN-10: 0786458666
ISBN-13: 978-0786458660Read More »

Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our time. Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum’s vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles on a journey back to Heart of Darkness , the unmade film meant to be Welles’s Hollywood debut. Jacques Tati addresses the primacy of décor and soundtrack in his comedic masterpiece PlayTime, while Jim Jarmusch explains the influence of real and Hollywoodized Native Americans in Dead Man. By arranging the chapters chronologically, Rosenbaum invites readers to pursue thematic threads as if the discussions were dialogues between separate interviews. The result is a rare gathering of filmmakers trading thoughts on art and process, on great works and false starts, and on actors and intimate moments.Read More »

One of the most distinguished filmmakers working today, David Lynch is a director whose vision of cinema is firmly rooted in fine art. He was motivated to make his first film as a student because he wanted a painting that ‘would really be able to move’. Most existing studies of Lynch, however, fail to engage fully with the complexities of his films’ relationship to other art forms. “The Film Paintings of David Lynch” fills this void, arguing that Lynch’s cinematic output needs to be considered within a broad range of cultural references. Aimed at both Lynch fans and film studies specialists, Allister Mactaggart addresses Lynch’s films from the perspective of the relationship between commercial film, avant-garde art, and cultural theory. Individual Lynch works – “The Elephant Man”, “Blue Velvet”, “Twin Peaks”, “Lost Highway”, “The Straight Story”, “Mulholland Drive”, and “Inland Empire” – are discussed in relation to other films and directors, illustrating that the solitary, or seemingly isolated, experience of film is itself socially, culturally, and politically important. “The Film Paintings of David Lynch” offers a unique perspective on an influential director, weaving together a range of theoretical approaches to Lynch’s films to make exciting new connections among film theory, art history, psychoanalysis, and cinema.Read More »