Áurea, a solitary teacher, starts a singular relationship with a young man with whom she has a chance encounter. A sensitive soul, she finds herself attracted to his moving beauty which compels her to lose herself. In the days following their first conversation, Áurea displays her feelings during the private classes she’s giving him. This will lead to the revelation of an unusual story from the past that will transform the present. Read More »
With a poem consisting of twenty names of towns in Minas Gerais, Brazil, the film gains in rhythmic body and is open to the unforeseen and to the improvised. Intrigued by the names of these towns, the team for the first time goes through each of them. In a movement of immersion and submersion, the documentary is made by means of two layers of narrative – one consisting of the history of the poem and the other, of commonplace events that accidentally arise before the camera in each one of these cities. Open perception, to allow one to blend in with day-to-day life in each place, and alertness, to pinpoint any one event that can possibly relate to the poem and that can reveal to what extent life is unpredictable and accidental. Read More »
The Milky Way is an interesting film from Brazil. Heitor, a literature professor, meets and falls in love with Julia, a young actress. During the course of the movie we see scenes from their relationship where they both love and fight each other. Through the film Heitor is driving around the busy streets of Sao Paulo trying to reach and reconcile once more with Julia. This provides an opportunity for the director to interject characters from Sao Paulo’s street environment in to the picture, from child beggars to crazy men with guns. The chaotic nature of life in Sao Paulo is contrasted with serene shots of Brazilian country side to further reinforce the impact of environment on personal relationships. The first encounter between Heitor & Julis takes place at a show by an experimental theatre company. In its way, The Milky Way can also be called an experimental and non conventional movie for those who are looking for something a little off the mainstream track of films. Read More »
Plot Outline: Documentary about a region in Northeast Brazil, situated in an area subject to severe drought, and the evolution of its economic activities.
The Land Of São Saruê, one of the most important Brazilian documentaries, was produced in 1970. It was banned by censorship until 1979 when it wasselected for the Brasilia Festival and wont the jury prize. The film, now restored, was hot in 16mm and then copied onto 35mm. The 16mm original has disappeared. The restoration was made using the extant 35mm internegative. The treatment given to the original sound generated a new re-equalized and remixed sound negative. Within the constraints of an optical restoration the restorers tired to eliminate imperfections caused by improper handling and storage. Due to the poor conditions of the original material some scenes couldn’t be totally restored. This optical restoration will enable such defects to be minimized through digital treatment in the future. Restoration was made from March 2003 through September 2004 by Francisco Sergio Moreira, under the supervision of the original director, Vlamidir Carvalho with Myrna Brandão and Carlos Augosto Brandão from the Brazilian Cinema Researchers’ Center. Read More »
Carlos Adriano wrote:
This film caused controversy in 1969, not just for its content, but above all for its daring and sparse approach to that content. Today, it is regarded as a classic of Brazilian cinema. The title of the film was inspired by the headlines of the ‘gutter’ or yellow press. Right from the start the title is literal: a young, lower middle class man kills his father and mother and goes to the movies… to see Lost in Love. From then on the film-within-a-film takes over. Fiction and fact blend into each other and it is no longer clear on what level of ‘reality’ – or of the imaginary – we are existing. The film gets rid of the usual parameters of representation and the stories overflow their boundaries, that usually circumscribe action. In Lost in Love two upper-middle-class girls hide away in a mansion in the hills. But there is also an affair between two poor girls, there are two tormented young men of different social standing, there are references to the political context of the time. To make matters more uncertain, the same actors play different characters. The actions of social violence correspond to acts of violence against the syntax of the film itself: the discontinued and fragmented development, the daring ellipses, the juxtaposition of disconnected elements, the rupture of the sound space. Bressane works on his dialectics of discomfort. Projected onto the screen is a true ‘impression of reality’ and a ‘suspension of disbelief’ in the cinema. Read More »
Andre, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, Andre stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As Andre reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves. Beautifully written and filmed, ARABY is a fable-like road movie about a young man who sets off on a ten-year journey in search of a better life. Read More »
workers strikes at 80s in abc paulista – sao paulo – brazil.
Na década de 80, acompanhou a emergência do movimento operário e do Partido dos Trabalhadores no ABC paulista. Read More »