Cheryl Dunye

Quote:
Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman’s stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood’s few female directors. As she’s discovering these things, Cheryl becomes involved with Diana, who’s also White. The affair strains Cheryl’s friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.Read More »

Enjoyably strange, The Owls is an ambitious mixture of lesbian noir, radically experimental filmmaking and community project; a piece of collective art about age, politics, race, desire and gender anxiety. At a house party hosted by a group of Older Wiser Lesbians a young queer is murdered and their disappearance covered up, but just as the group of women let down their guard, a mysterious stranger comes asking questions.Read More »

Quote:
Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman’s stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood’s few female directors. As she’s discovering these things, Cheryl becomes involved with Diana, who’s also White. The affair strains Cheryl’s friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.Read More »