Claude Mulot

“Offer yourself everything that makes you happy!.” This is the unwise telegram sent by unfaithful husband to his wife that he abandoned on the day of their wedding anniversary to join a young and fiery mistress in London. The abandoned wife seeks then revenge by taking the word “happy” to mean pleasure in the carnal sense of the word and discovers ecstasies she had hitherto forgotten. And in a sauna she seduces her Indian-looking house maid, next persuades a parking attendant not to write her a parking ticket – in a phone box blowing his dick – and so on.
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“As the world slides to nuclear war and bombs explode in the background, the de Courvals have their family problems, but become increasingly uninhibited. Juliette is uninterested in her husband. Armelle is in love with him but he won’t look at her. She spies on her flatmate having sex with a man, then kicks him out. The son of the de Courvals is caught masturbating by his tutor, Patricia, but she undoes her dress and masturbates as well while remembering an encounter with Thierry de Brem on a yacht (probably archive footage). There is a dinner party and Juliette cools herself against a fan, revealing her knickerless state. The son is caught masturbating under the table cloth and sent off to bed. Then the rest of the party adjourn to watch a porn film.Read More »

Through a letter to her sweetheart, Dolly recalls their “over the top” sexual overflows. Steaming flashbacks and tender memories interweave. Frederic Lansac film, and interpreted by Karine Gambier, this film was awarded by a huge success as well as the criticism.”Read More »

After the cops have busted her brothel, the Madame decides to open it up again under the guise of a boarding school where young women are taught how to please their men.Read More »

Eric and Joelle decide to spend their honeymoon night at the house of a couple of married friends – who happen to be in the midst of a serious marriage crisis. Before sunset, a young woman arrives riding a motorbike, and says she’s Angel. With her strange presence, erotism breaks out, and several couplings and vicious sex erupt in the comfortable home.Read More »

A French waiter living in New York City witnesses a murder and must go on the run from the police and the mob.Read More »

A science-fiction writer creates a sexy robot-girl.

Letterboxd reviews
Quote:
★★★½ Watched by Marcy Webb 26 Dec 2020

If you ever wanted to see R2-D2 control sex scenes, and you like an early 80s score, then this is exactly the film for you.

No doubt, despite the amount of penis screentime and lesbian sex, this is a film explicitly made for the straight male gaze. It would be hard to argue against a misogynistic reading, and this film carries an unhealthy dose of of rape/sexual assault and predatory stalking into its sexual scenarios, that should require an upfront trigger warning. While it can carry an inherent eroticism for many, for me the eroticism goes away considering the narrative context. That said, hypnosis, servitude, fuck dolls, remote control ARE many people’s kinks. While the films are miles apart, a story about a man constructing a woman after he can no longer see the woman he loves (to fuck) not only explicitly references Frankenstein, but is part of a lineage that goes back to Metropolis, and continues into modern films too.Read More »

Black Venus (1983)

Spanish actor Jose Antonio Ceinos stars as a down-and-out sculptor, whose inspiration returns with the strange appearance of a beautiful, mysterious black muse.Read More »

A beautiful executive lady at an advertising company realizes with horror that her vagina has started to talk and is leading her to indecent sexual acts. This was the first exclusive hardcore feature film produced and released in France to meet international success. It is based on a significant tradition in literature and art of talking vaginas, dating back to the ancient folklore motif of the vagina loquens, and in particular a story by Denis Diderot (1713–1784). Among future film makers involved in this production are Francis Leroi (producer), Didier Philippe-Gérard (script and actor), Gérard Kikoïne (editor) and Pierre B. Reinhard (assistant editor).Read More »