Claudine Eizykman

In L’Autre Scène, the images and the sound material try to manifest the mechanism of an advertisement around the blade.Read More »

Lapse is a research of a porous state of the cinematographic material which by “intra-photogrammic fragmentation” (Claudine Eizykman) and encrustation of grains unfolds in its crackling like a film in mesh.Read More »

One of the most important films of French avant-garde cinema, displaying Claudine Eizykman’s theory of “cinematographic energy” as well as creating kinetic movements capable of shaking up the world and revealing its heterogeneity.Read More »