Claudine Eizykman

Movie’s themes : French experimental of the 70’s, Time

Quote:
“Claudine Eizykman’s Bruine Squamma (bruine: a kind of mist which absorbs and reflects light, and squama: a sliver of the epidermis which is shed from the skin), is impressive for the way it is organised and its jamming of a series of sporadic images, infinitely repeated and varied, with no narrative impulse whatsoever. Nothing but flashes, explosions, extinctions, splashes of images which succeed one another, shift forward or back, are superimposed, as in a game of transparent cards.”
Boris Lehman in La relève, 25/11/77.Read More »

Quote:
One of the most important films of French avant-garde cinema, displaying Claudine Eizykman’s theory of “cinematographic energy” as well as creating kinetic movements capable of shaking up the world and revealing its heterogeneity.Read More »

A portion of a building, Maine Montparnasse, filmed from the 5th floor of a neighboring building according to architectural lines, is transformed by geometric movements more or less fast blurring our perception.

Cinédoc:
Movie’s themes : Architecture, Urbanism, Cities, French experimental of the 70’sRead More »

In L’Autre Scène, the images and the sound material try to manifest the mechanism of an advertisement around the blade.Read More »

Lapse is a research of a porous state of the cinematographic material which by “intra-photogrammic fragmentation” (Claudine Eizykman) and encrustation of grains unfolds in its crackling like a film in mesh.Read More »

One of the most important films of French avant-garde cinema, displaying Claudine Eizykman’s theory of “cinematographic energy” as well as creating kinetic movements capable of shaking up the world and revealing its heterogeneity.Read More »