Not for the staid traditionalist, Matts EK’s ballet turns expectations on their head. The basic story is there; and Adolphe Adam’s unmistakable music guides us through. But there the similarities end.
Set in a more modern era, Albrecht is a city sophisticate to Giselle’s rural innocent. And innocent she is, but far from the shy creature of yore, this Giselle is precocious, almost uninhibited. But there’s no suggestion that this excuses Albrecht’s use and abuse of her. The ‘white’ act is very different, too. Set in a lunatic asylum, the choreography will be earily famiar to anyone who has visited one of those places (or even seen One Flew Over the Cuckoos Nest). Read More »