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Even as Greek cinema slowly abandons its notorious aesthetic weirdness, Greek directors remain preoccupied with the same social and political national issues, now being depicted through a renewed enthusiasm for the abstract. Four years after her unconventional debut, The Eternal Return of Antonis Paraskevas [+], Elina Psykou follows a new visual path in her second feature film, Son of Sofia [+]. The film has just enjoyed its world premiere in the International Narrative Competition section of the Tribeca Film Festival.Read More »