Emeric Pressburger

  • Michael Powell & Emeric Pressburger – A Matter of Life and Death (1946)

    Quote:
    After miraculously surviving a jump from his burning plane, RAF pilot Peter Carter (David Niven) encounters the American radio operator (Kim Hunter) to whom he has just delivered his dying wishes, and, face-to-face on a tranquil English beach, the pair fall in love. When a messenger from the hereafter arrives to correct the bureaucratic error that spared his life, Peter must mount a fierce defense for his right to stay on earth—painted by production designer Alfred Junge and cinematographer Jack Cardiff as a rich Technicolor Eden—climbing a wide staircase to stand trial in a starkly beautiful, black-and-white modernist afterlife. Intended to smooth tensions between the wartime allies Britain and America, Michael Powell and Emeric Pressburger’s richly humanistic A Matter of Life and Death traverses time and space to make a case for the transcendent value of love.Read More »

  • Michael Powell & Emeric Pressburger – ‘I Know Where I’m Going!’ (1945)

    Quote:
    A young Englishwoman goes to the Hebrides to marry her older, wealthier fiancé. When the weather keeps them separated on different islands, she begins to have second thoughts.Read More »

  • Michael Powell & Emeric Pressburger – Gone to Earth (1950)

    Screen legend Jennifer Jones (Portrait of Jennie) stars as the young, beguiling Hazel Woodus in 1897 Shropshire, England. More than the people around her, she loves and understands the wild animals of the countryside, especially her pet fox. Whenever she has problems, she turns to the book of spells and charms left to her by her gypsy mother. When dashing local squire Jack Reddin (David Farrar, Hour of Glory) begins to pursue Hazel—despite her marriage to Baptist minister Edward Marston (Cyril Cusack, Fahrenheit 451)—a struggle for her body and soul ensues.Read More »

  • Michael Powell & Emeric Pressburger – Oh… Rosalinda!! (1955)

    Vienna 1955 – a city under occupation by the four Allied powers. Through the chaos Dr. Falke moves gracefully – an elegant man-about-town and friend to the highest echelon of power. He is decidedly less graceful, however, when he is deposited by a friend at the top of a giant Soviet statue, rather the worse for drink and dressed up as a giant bat.
    Falke swears revenge…Read More »

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