Emile de Antonio

Emile de Antonio & Mary Lampson & Haskell Wexler – Underground (1976)

Quote:
Underground is a 1976 documentary film about the Weathermen, the militant faction of the Students for a Democratic Society (SDS) who fought to overthrow the U.S. government during the 1960’s and 1970’s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests during this time period. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, who were subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen. Read More »

Emile de Antonio – In the Year of the Pig [+Extras] (1968)

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Plot Synopsis [AMG]
Documentary filmmaker Emil DeAntonio’s In the Year of the Pig was financed by New York society matron Mrs. Orville Schell; her fund-raising dinners earned her an executive producer credit on the completed film. An extremely radicalized view of the still-raging war in Vietnam, Pig was so unabashedly provocative that it earned DeAntonio the tireless scrutiny of FBI head J. Edgar Hoover (whose file on the filmmaker inspired yet another DeAntonio production of 1990, Mr. Hoover and I). The film’s highlight is an interview with the late general George S. Patton, adroitly re-edited to make it seem as though Patton (who died in 1945) is characterizing the boys in Nam as “a bloody good bunch of killers.” Bracketed between his Rush to Judgment (based on the highly suspect findings of JFK-conspiracy theorist Jim Garrison ) and his America is Hard to See (a chronicle of the Eugene McCarthy Presidential campaign), DeAntonio’s In the Year of the Pig is an amalgam of the best and worst elements of those two offerings. The film says what needs to be said, but it often ends up preaching only to the converted. Read More »

Emile de Antonio – Mr. Hoover and I (1989)

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Description:
Turning the camera on himself and his 10,000-page FBI file, radical documentary filmmaker Emile de Antonio skewers the legacy of FBI chief J. Edgar Hoover while offering up a fascinating self-portrait in his final film. A lengthy conversation with the composer John Cage, a discussion with a college crowd about McCarthyism and numerous witty observations by de Antonio himself also contribute to this discursive yet sharply observed documentary. Read More »