Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation. Tame by the standards of 1971, when hardcore loops and features would begin to flood certain metropolitan markets, the film was shocking enough in 1970 to instigate media attention and long lines at the box office. Read More »
The film was based on a subject by Mario Gariazzo, a director who in the seventies, gravitated into the orbit of Daunia and to whom Fernando di Leo “lent a hand” by offering advice for his script – for his detective film, The Bloody Hands of the Law – and for the production of his western, Holy Water Joe and the tear-jerker, The Balloon Vendor, a story vaguely inspired by William Wyler’s famous film, The Desperate Hours. At the start it was Gariazzo who was to direct it but at the producers’ insistence he was finally replaced by di Leo. Read More »
From Mondo Digital:
“At the height of his creative output, director Joe Sarno was known for flinging out an ungodly number of softcore films each year with a surprisingly high standard of quality. Psychological insight, intensely erotic love scenes, and off-kilter dialogue were his stock in trade with films like All the Sins of Sodom and Young Playthings, but sandwiched in between these are some really oddball ones. Case in point: Marcy, a 1968 hayseed melodrama that feels like a stylistic precursor to the country cutie smut films of Harry Novak the following decade like Sassy Sue and Country Cuzzins, albeit with a lot less of that cornpone humor. The plot also feels like sort of a deep-fried riff on D.H. Lawrence’s The Fox, believe it or not, which Norman J. Warren also turned into a sex/sci-fi trash classic with Prey. Read More »
An eccentric artist is panned by a well-known critic at his opening for not having a good color sense, so he starts a new series, using his own blood to paint. Soon he is weakened and must find other sources of blood to continue his paintings.
Ed Sutton on IMDb Read More »
In this erotically charged drama, Shizuko (Aya Sugimoto) is a beautiful and talented dancer who feels like her husband no longer cares for her, and has begun to indulge in sexual fantasies of sadomasochistic edge play. When her husband falls deep in debt to a powerful gangster, Shizuko is kidnapped by members of the yakuza and held for ransom until he makes good on what he owes. To prove they mean business, the gangsters force Shizuko to take part in a series of perverse S & M performances, but Shizuko finds that her “punishment” is beginning to reflect the rough treatment of which she’s been dreaming. Hana to Hebi (aka Flower and Snake) was written and directed by Japanese underground auteur Takashi Ishii, adapted from a novel by Oniroku Dan. ~ Mark Deming, All Movie Guide Read More »
A Swiss legend tells of three shepherds and their privations, “weiberlosen” time in the mountains. And as her wicked doings will be severely punished – by a bare Wurzelhexe …
A former classmate, let’s call him Fred, looks at the happy Sepp Forcher – with sound turned off. Namely Fred loves the beauty of the local mountains. But not the accompanying volksdümmliche Gedudel.
Succubus – the devil in him would also be a film for Fred. For the beauty of the Alpine mountains is captured very atmospheric. And instead of folk music here sounds very consistent, Spaghetti Western-inspired score.
Succubus – THE DEVIL IN THE BODY is also a film for fans of the lower instincts. Von wegen “on pastures, there’s no sin”: One of our Senner is a nasty Saubartl who had pushed for dinner hand in his pants and lunged after the crisp boys in bed next to him.
Just a boy has no interest in the said strong men gripping hands, but he longs for the warm, wet tongue, his favorite. Which he then “herumkriegt. How he hires, the It beggars … Read More »
Whack! What was that you ask, well that was the impact of the Elsa and Kit Colfach’s only feature length film ever – Susanne. A grim tale of youth gone wild that will move you in more than one way. A shocking piece of social realism that finally gets a deluxe treatment it deserves thanks to the guys at KlubSuper8 – back after a way too long hiatus, and it’s a welcome release, because this is one hell of a special trip. Read More »