Charles Matton – La pomme ou L’histoire d’une histoire AKA Apple or the Story of a Story (1965)

A family’s life is transformed into an object of art. Read More »

Robert Siodmak – Pièges AKA Personal Column (1939)

When 11 young Parisian women mysteriously disappear, the police recruit Adrienne Charpentier, the friend of the latest victim, to investigate. The only thing which seems to link the disappearances is that each of the victims replied to a small ad in the newspapers. In answering a number of ads herself, Adrienne meets some suspicious individuals, but they all turn out to be innocent. Then she meets a cabaret performer, Robert Fleury, who instantly falls in love with her. Soon after marrying Fleury, she discovers damning evidence that inculpates him as the murderer of the missing women… Read More »

André Téchiné – Paulina s’en va AKA Paulina Is Leaving (1969)

The first film by André Téchiné, and also one of Bulle Ogier’s early starring roles. Here’s the short synopsis from IMDb:
Paulina leaves the apartment where she lives with her two brothers. Her departure is marked by chaotic and sometimes violent confrontations. In a café, she meets a mysterious stranger who works in a nearby psychiatric clinic. Read More »

Pascal-Alex Vincent – Satoshi Kon, l’illusionniste AKA Satoshi Kon: The Illusionist (2021)

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

Satoshi Kon: The Illusionist (French: Satoshi Kon, l’illusionniste) is a 2021 documentary film directed by Pascal-Alex Vincent. The film celebrates the legacy of Japanese anime director Satoshi Kon. The production features interviews with animators, voice actors, producers, directors, and writers who worked with Kon during his career. Read More »

Alain Cavalier – Thérèse (1986)

The life of little St. Therese of Lisieux, depicted in minimalist vignettes. Therese and her sisters are all nuns in a Carmelite convent. Her devotion to Jesus and her concept of “the little way” to God are shown clearly, using plain modern language. A sense of angelic simplicity comes across without fancy lights, choirs, or showy miracles. Read More »

Jacques Feyder – La Kermesse héroïque AKA Carnival in Flanders (1935)

When the village of Boom, in Flanders, learns a Spanish Duke and his troops plan to pass the night, the 4-man army deserts and the Mayor plays dead; so the Mayor’s wife organizes the townswomen to greet the invaders and preserve the peace with womanly wiles. Read More »

Eugène Green – Toutes les nuits AKA Every Night (2001)

At age 50, Eugene Green — who left the U.S. in 1969 to settle in France — proves himself to be the mutant offspring of Robert Bresson and Manoel De Oliveira. First-time scripter-helmer’s exquisite oddity, “Every Night,” shows complete mastery of the austere, formal tradition perfected by his elders, but he makes it his own with bursts of satire and an insistence on crispy anachronistic diction that solemnly honors every last consonant. Pic has been holding its own at the oldest functioning arthouse in Paris since its publicity-free March 28 release, which was announced only via give-away postcards. Read More »