Gina Telaroli

“Ten properties of a subject, according to Leonardo: light and dark, color and substance, form and position, distance and nearness, movement and stillness.”

– Robert Bresson

“They began very promptly—these tender, fluttering sensations; they began with the sight of the beautiful English landscape, whose dark richness was quickened and brightened by the season; with the carpeted fields and flowering hedge-rows, as she looked at them from the window of the train; with the spires of the rural churches, peeping above the rook-haunted tree-tops; with the oak-studded parks, the ancient homes, the cloudy light…”

– from Henry James’ “An International Episode” Read More »

Blurring the line between fiction, documentary, and experimental filmmaking modes, Telaroli herself plays a director attempting to recreate a scene from Michael Curtiz’s Depression-era drama The Cabin in the Cotton. While Telaroli presides over a round robin of collaborators who take turns performing the same scene again and again, a roomful of cameras, phones, and laptops capture the scene and its production from every conceivable angle. Read More »