Glauber Rocha

Glauber Rocha & Affonso Beatto – 1968 (1968)

Unfinished documentary about the “March of the 100,000”, driven by the student movement against brazilian dictatorship in 1968. Glauber directed with “Antonio das Mortes'” cinematographer, Affonso Beatto. A mysterious film. Read More »

Glauber Rocha – Deus e o Diabo na Terra do Sol AKA Black God, White Devil [+commentaries] (1964)

Quote:
After killing his employer when said employer tries to cheat him out of his payment, a man becomes an outlaw and starts following a self-proclaimed saint.

Reehan Miah wrote:
Glauber Rocha’s Aesthetics of Hunger – a 1965 essay which attempts to explicate the Cinema Novo – reads like a convoluted mass of allegations, opacities and rhetoric (none of which are necessarily without substance). Somewhere within these imbroglios however, one stumbles upon an assertion that’s especially jarring: Read More »

Glauber Rocha – Barravento AKA The Turning Wind (1962)

Rocha’s first film, a denunciation of exploitation and the superstition that helps maintain it; an exploration of ‘macumba’, the mixture of Christianity and African tribal religion whose superstition aids the successful subjugation and exploitation of the fishermen in the Bahia province.

Review from NY Times:
LEAD: ”BARRAVENTO” (”The Turning Wind”), opening today at the Public Theater, is the first feature by the highly regarded Brazilian director Glauber Rocha, who died at the age of 42 in 1981. The film, made in 1961, is about the efforts of Firmino, part revolutionary, part devil, to free the fishermen in his native Read More »

Glauber Rocha – A Idade da Terra AKA The Age of the Earth (1980)

Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha’s experimental film inspired by Pier Paolo Pasolini’s murder.

The day that Pier Paolo Pasolini was killed, Glauber Rocha decided to make this film about the life of Christ in the Third World. Starting from a dialectical synthesis between capitalism and socialism, and a search of interracial relationships in Brazil, Rocha created a work of religious and prophetic tone that results in a kind of bewilderment contemplative, now lyrical, now frantic, soaked in a new messianism. In his last film, the director proposed a tune of sounds and images that build a picture of Brazil and a portrait of himself. Read More »

Glauber Rocha – O Dragão da Maldade contra o Santo Guerreiro AKA Antonio das Mortes (1969)

Period piece about a Brazil that is no more. This movie is the sequel to “God and the Devil in the Land of the Sun” (Deus e o diabo na terra do sol), and takes place 29 years after Antonio das Mortes killed Corisco (the “Blond Devil”), last of the Cangaceiros. In “the old days”, Antonio’s function in life was exterminate these bandits, on account of his personal grudges against them. His life had been meaningless for the last 29 years, but now, a new challenge awaits him. When a Cangaceiro appears in Jardim Das Piranhas, the local Land Baron (Jofre Soares), an old man, does what seems obvious to him: he calls Antonio das Mortes, killer of Cangaceiros. At first, Antonio is ecstatic. His life has gained new meaning. But soon it becomes obvious that this new Cangaceiro (named Coirana) is no Corisco, but an idealist. An idealist of the sixties in the garb of the forties. A leader to the hopeless and the hungry. Antonio das Mortes begins to reconsider his feelings towards Coirana and his followers… Read More »

Glauber Rocha – Deus e o Diabo na Terra do Sol AKA Black God White Devi (1964)

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Black God, White Devil (Portuguese: Deus e o Diabo na Terra do Sol, literally, “God and the Devil in the Land of Sun”) is a 1964 Brazilian film directed and written by Glauber Rocha. The film stars Othon Bastos, Maurício do Valle, Yoná Magalhães, and Geraldo Del Rey. It belongs to the Cinema Novo movement, addressing the socio-political problems of 1960s Brazil.

Glauber Rocha was 25 years old when he wrote and began to direct the film. Read More »

Glauber Rocha – Der Leone Have Sept Cabeças AKA The Lion Has Seven Heads (1970)

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ın a African country, the people decides to take arms for the revolution, but the white, defended by mercenaries and commanded by a American agent, will defend the interests of capitalists and of Marlene, “the owner of the country”. Read More »