Götz Spielmann

Götz Spielmann – Revanche (2008)

Criterion wrote:

Revanche begins with a reflection of trees in a lake at twilight. They’re seen upside down—an image of nature reversed—yet the earth is eerily calm. This almost otherworldly illusion arouses a viewer’s awareness of perspective, which is then disturbed by the splash of an object tossed into the middle of the lake. Widening ripples shatter the impression of stillness, and a genuine sense of mystery sets in. Such an intimation of the supernatural typifies Austrian writer-director Götz Spielmann’s unique vision in this film. Read More »

Götz Spielmann – Revanche (2008)

Roger Ebert Review :
“Revanche” involves a rare coming together of a male’s criminal nature and a female’s deep needs, entwined with a first-rate thriller. It is also perceptive in observing characters, including a proud old man. Rare is the thriller that is more about the reasons of people instead of the needs of the plot. Read More »

Götz Spielmann – Antares (2004)

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afc.at wrote:
A housing development on the outskirts of a big city, common, ubiquitous – high-rise apartment complexes, lots of concrete, sparse plots of perfunctory green. Graffiti-scrawled entryways, intercoms, long stairwells, thousands of faceless windows. From out of this uniform coexistence three couples emerge whose lives intersect over the course of three days and will never be the same again. Read More »