Heinz Emigholz

Heinz Emigholz – Die Wiese der Sachen (1988)

Quote:
Jedes Jahrzehnt hat seinen eigenen Zugang zum Himmel.

Clonetown, 1974 bis 1979, die Chronik eines Abschieds. Charon, ein abgesprungener Terrorist, sitzt am Ufer zur Vergessenheit und kommentiert die bevorstehende Vermoderung eines entführten Autohändlers. In seiner Erinnerung ziehen seine zweiten und dritten Ichs herauf, der megalomanische Künstler und der perverse Teppichhändler. Die ehedem achtlos mißhandelten Dinge rächen sich in seinem Kopf. Read More »

Heinz Emigholz – D’Annunzios Höhle aka D’Annunzio’s Cave (2005)

Quote:
Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863-1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends–cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz–simultaneously filmed the rooms and furnishings of the villa in their own specific styles. Read More »

Heinz Emigholz – Years of Construction (2019)

Over a span of five years, a wing of the Kunstahlle Mannheim is torn down and rebuilt. Read More »

Heinz Emigholz – Airstrip – Aufbruch der Moderne, Teil III AKA The Airstrip: Decampment of Modernism, Part III (2014)

About the film:
Imagine an airspace into which a bomb has been dropped. The bomb has not reached the site of its detonation, but there is no way to stop its speedy approach. The time between the bomb’s release and its explosion is neither the future (for the ineluctable destruction has not yet happened) nor the past (which is unavoidably about to be extinguished). The flight time of the bomb thus describes absolute nothingness, the zero hour, consisting of all the possibilities that in just a moment will no longer exist. Thus, this story will end before it has begun; here it is told in defiance: an architectural journey from Berlin through Arromanches, Rome, Wrocław, Görlitz, Paris, Bologna, Madrid, Buenos Aires, Atlántida, Montevideo, Mexico City, Brasilia, Tokyo, Saipan, Tinian, Tokyo, San Francisco, Dallas, Binz and Mexico City back to Berlin – into the abyss. Read More »

Heinz Emigholz – Parabeton – Pier Luigi Nervi und Römischer Beton AKA Parabeton – Pier Luigi Nervi and Roman Concrete (2012)

Synopsis:
The film presents 17 extant buildings by Italian master-builder Pier Luigi Nervi in Italy and France and 10 examples of Ancient Roman architecture made of Opus caementitium. Read More »

Heinz Emigholz – Perret in Frankreich und Algerien AKA Perret in France and Algeria (2012)

Synopsis:
The film PERRET IN FRANCE AND ALGERIA presents thirty buildings and architectural ensembles of the French architects and construction engineers Auguste and Gustave Perret. Auguste Perret has masterfully refined concrete construction in the implementation of his projects and instilled in them a classical expression. Working in parallel to the execution of numerous construction projects in France, Perret was building under conditions of colonialism in North Africa. The film traces this division chronologically. The buildings erected in Algeria from 1912 until 1952 are for the first time the subject of a film, as are the ones built in France. Read More »

Heinz Emigholz – Loos Ornamental (2008)

Heinz Emigholz-Loos Ornamental / Photography and Beyond – Part 13 (2008)

The film shows 27 still-existing buildings and interiors by Austrian architect Adolf Loos (1870–1933) in order of their construction. Adolf Loos was one of the pioneers of European Modernist architecture. His vehement turn against ornamentation on buildings triggered a controversy in architectural theory. The development of his “spatial plan” launched a new way of thinking about spaces to be built. His houses, furniture for shops and apartments, facades, and monuments were built between 1899 and 1931. They were filmed in 2006 in Vienna, Lower Austria, Prague, Brno, Pilsen, Nachod, and Paris in their present surroundings. Read More »