Jean-Claude Brisseau

A strict father imposes impossible guidelines on his disabled daughter which reflect his secret, tortured life.Read More »

In this stylish French drama fits well into the film noir genre. A visitor comes to the home of Stephane, the wife of an important magistrate. She, claiming attempted rape, calmly shoots him. The visitor is the legendary gangster Wadek Aslanian who was beloved as a latter day Robin Hood. Stephane’s husband hires a lawyer, Paul, to defend her. Paul learns many disturbing things about Stephane’s sordid past when he starts receiving anonymous letters describing her exploits which included prostitution, performing in porno-movies, and most interestingly having a liaison with Aslanian. The judge is ignorant of his wife’s past. Despite her dark and mysterious past, Paul cannot help but fall in love with Stephane.Read More »

Fred is a generous guy .He gives all his savings to the needy:but saints are a nuisance to live with at home ,and in the world we live in,it takes a lot of faith and a total commitment to succeed;no compromise is possible:his wife can’t go on living like that and his boss fires him.He could take to the road ,but he does not have faith.So he turns into a modern Robin Hood ,stealing from the rich and giving to the poor ; with his new girlfriend, they become idealized Bonnie and Clyde. Maguette,the mysterious black man they meet along the way, brings his strange wisdom;he tries to deal with the golden rules of society ,just to prove how absurd they may be: a royal heir in his native Africa,he can turn into a lawyer or into a chief inspector of schools.Read More »

Quote:
Stanley Kubrick envisioned Eyes Wide Shut as an Odyssean chronicle of marital drift. After a series of absurd encounters with the unseemly, naughty bourgeois and the diseased rejects that pander to their ludicrous peccadilloes, Tom Cruise’s wandering soul gets the hint: don’t stray! Jean-Claude Brisseau’s subversive Secret Things is nowhere near as structurally rigorous as Kubrick’s swan song, but it certainly feels more daring. First, think Celine and Julie Go Masturbating. On what appears to be a lonely stage, the sexy Nathalie (Coralie Revel) begins to pleasure herself. Then the delirious swell of an opera piece, perfectly timed to the movement of Brisseau’s camera, which pans to the right to reveal a roomful of bar patrons, including innocent barmaid Sandrine (Sabrina Seyvecou), ogling the spectacle of Nathalie’s uninhibited libido. Read More »

IMDB wrote:
A teacher of philosophy encounters a complicated pupil; a seventeen year old girl who possesses quite a cynical view of the world. He attempts to help her focus on her studies, but soon becomes fascinated by her.Read More »

Quote:
In a public housing suburbs, Pierre convinces himself that his wife loves him while the latter believes to be a great diva. For his part, Frank, rocker at heart, tries to flee as far as is possible this family decaying. Only Natalie, the youngest, seems to have his head on her shoulders.Read More »

Quote:
In cinematic enfant terrible Jean-Claude Brisseau’s latest outing, “A l’aventure,” the explicit eroticism of his recent oeuvre topples over into outright porn — not because of graphic sex scenes, but rather due to a plot of unalloyed ludicrousness. Granted, levitating 14th-century Flemish nuns rep an inventive step up from randy milkmen, but Brisseau’s humorless intellectual pretentions founder in very shallow waters. Skedded for an April 1 release in France, pic was pre-bought by IFC Stateside, where its Playboy-ish presentation of elegantly writhing naked women brought to ultimate orgasm, combined with disquisitions on the more cosmological Big Bang Theory, might attract horny eggheads.Read More »

The peregrinations of a group of boys and girls from Paris. Two girls swap the capital for the countryside near Montpellier. One of the girls hesitates between dream world and reality.La croisée des chemins marks the start of a significant oeuvre and is a film in which reality and dream are mixed. Jean-Claude Brisseau shot this film on Super8 in 1975. Screened in Studio 43 in Paris, the film was noticed and admired by Eric Rohmer, who attached the name of his production company Les Films du Losange to several films by Brisseau: Un jeu brutal, De bruit et de fureur en Noce blanche.Read More »

Quote:
Lisa Heredia, la veuve et la monteuse de Jean-Claude Brisseau, nous a confié ces films. Ce sont ses tout premiers essais, qu’il a montrés quelques années plus tard à Eric Rohmer, qui en fut enthousiasmé et qu’il l’a introduit auprès [de la maison de production] des Films du Losange. Comme il est pour l’instant peu probable que la société nous permette de reprogrammer la rétrospective qui aurait dû lui être consacrée, nous avons jugé de notre devoir de montrer ces films sur notre plate-forme pour compléter la connaissance qui est due à tout grand cinéaste. (Frédéric Bonnaud, Le Monde)Read More »